Sri Krishnavataaram(1967)

 
Star Cast:-NTR, Devika, Rajanala, Ramakrishna, Krishna Murthy, Prabhakar Reddy
Director:-Kamalakara Kameshwara Rao
Producer:-Atluri Pundarikakshaiah
Music:-T V Raju
Banner:-Tarakarama Pictures
Release Date:-1967

Atluri Pundarikakshayya made Mahamanthri Timmarasu with NTR, and after a hiatus of four years expressed a desire to work together again. NTR wanted something with the Rayabharam poems in it, and also declared that it would be the last time he portrayed Lord Krishna. Indeed, without a doubt he was the most convincing Lord Krishna ever!

The rights of the Rayabharam poems were bought from Ramanujam Shetty of Nellore. NTR felt that a complete Krishnavataram, i.e., from the birth to the end of the Krishnavataram would be excellent for his final Krishna portrayal. Atluri was obviously nervous, thinking about the number of actors required, the production costs and other large scale necessities to embark on such a major spectacle. So NTR teamed him up with Kanakamedala Tirupataiah, who also had some dates with NTR and started Tarakarama Pictures. Kamalakara Kameswara Rao directed this magnum opus.

The movie covers all episodes of Krishna's life. Krishna's birth, his captive parents and the prediction that Kamsa would be killed by Devaki's eighth child makes the first episode. After defeating Kamsa, he marries Rukmini, fights with Jambavantha to procure the Samanthaka Mani and gets his daughter Jambavanthi's hand in marriage. Satrajit, who initially proclaims that Krishna has the Mani regrets his mistake and gives his daughter Satyabhama's hand in marriage to Krishna.

After Sisupala completes his 100 sins, he defeats and kills him, thus regaining his entry back to Vishnu's abode. Kuchela's episode is followed by Draupadi's humiliation where Krishna saves her honor. The great war of Kurukshetra takes place after the negotiations (Rayabharam) between the cousins fails. Krishna's Geetopadesam to Arjuna is also shown. Finally he saves Bheema from Dhritarastra's ire after Bheema kills Duryodhana and Balarama wades deep into the ocean after the gory war while Lord Krishna ends his Avataram owing to a hunter's mistake.

After analyzing the works of Bhagavatam and Bharatam, Samudrala Raghavacharya wrote the script taking in all the major events of Krishnavataram. TV Raju composed the music, which included 10 songs and 25 poems. Poems from the famous play Pandavodyogam were used too. Ghantasala was taken ill after developing a sinus problem, but insisted on being there to render the poems. If he died while reciting the poems, at least he would have the satisfaction of dying while reciting Krishna's poems, he reasoned with a concerned and horrified Atluri. Even C. Narayana Reddy was down with the flu when he wrote the war song.

SV Rangarao was the first choice to play Duryodhana, but the role went to Kaikala Satyanarayana. Kantha Rao was the first choice for Narada, but the role was finally played by a skeptical and hesitant Shobhan Babu. Harikrishna played the role of the young Krishna after Atluri saw a play starring him as Krishna in Gudiwada. NTR's eldest son was then residing with his grandparents, away from the spotlight in Madras. NTR was hesitant to let him work, but later gave in. Till the episode of Krishna lifting the Govardhana Giri, Harikrishna debuts and takes all the screen space as young Krishna.

The movie had immaculate production values and was shot in a budget of over 10 lakhs. It was also shot in record time, even with the perfectionist NTR insisting on re-shooting some portions he was not satisfied with. The movie was a huge hit. But unfortunately on the fourth day of the release, Tirupataiah passed away. The movie was a bigger success in Karnataka than here; when the movie was re-released in 1982 and 1990, both times it finished the 100-day mark. All the other artistes also got due credit along with NTR. Kameswara Rao's direction, Ghantasala's poems and watching the whole story of Krishna's Avataram was very much appreciated by audiences and the movie remains a must-watch.

Lakshmi Puthrudu 2008


Banner:    RS Films
Cast: Udaykiran, Diya, Nizhalgal Ravi, Satyaraj, Vijayan, Riyaz Khan, Brahmanandam, Raghubabu, Rajan P Dev, Gauthamraju, Duvvasi Mohan, Gundu Sudarshan, Mumaith Khan, Shakeela, Apoorva and others
Direction:    Rajkumar
Production:    Polishetty Rambabu
Music:    D.Iman

Udaykiran appears to be making a frantic effort for a comeback into Telugu films. However, he is still in a confused situation and has failed to select a good story. Moreover, he has failed to grab the attention of seasoned directors and hence he is taking a chance by working under novice directors. Polisetty Rambabu, who had produced a comedy film like Gopi (Goda Meeda Pilli), has come forward to produce the film.

Prabhakar @ Prabhu (Udaykiran) is a nonchalant college student. He is straightforward and did not allow anyone to do wrong and he will not spare anyone, who resorts to injustice. He always quarrels with someone and lands in police station. His foster father (Nizhalgal Ravi), who is a psychiatrist, used to bring him from there. Swetha (Diya) is the sister of commissioner of police Ravichandra and is very mischievous girl. Following a complaint that she is bunking classes, the officer sends her to college with police escort. When Swetha tries to escape from them, the police personnel run after her. Unknowingly, Prabhu thrashes the police and upon being challenged, Prabhu says ‘I love you’ to Swetha. She too gets impressed with his behaviour and loses her heart. At this juncture, Prabhu comes to know that he is being brought up by the doctor couple and his actual father Lakshmi Narayana (Satyaraj) iss taking treatment in mental hospital. Prabhu tries his best to know about the past of his father but can not get any clue. On the advice of Ravichandra, Prabhu takes his father to Kerala for treatment. There incidentally, Prabhu meets the former bodyguard of Lakshmi Narayana and learns that his father is the Election Commissioner and he reached that stage due to a politician Ramadasu (Vijayan). As a co-incidence, Ramadasu’s son (Riyaz Khan) too brings Ramadasu to the same asylum in Kerala for treatment. Ramadasu’s henchman finds Lakshmi Narayana and tells Ramadasu’s son that their rival is still alive. So, he makes attempts to kill Lakshmi Narayana. However, in the climax, Ramadasu and his son kill each other and the story ends on a peaceful note.

PLUS: There are absolutely no plus points in the film. Though Udaykiran has tried to manage to get into the groove of a mass hero, he has failed to do justice to his role completely. Though the action scenes are little stylish they appear too cinematic. However, Satyaraj’s performance as a mad man and as a sincere officer in the flashback episode is worth watching. Music by D Imaan is good in parts.

MINUS: It is not known why Brahmanandam accepts certain roles in his career. Though while listening it appears impressive, it appears too odd while presenting on the screen. The parody of Sivaji film is used for the comedy track picturised on Brahmanandam. The director made the producer to spend money lavishly for shooting that comedy track but it miserably failed to impress the audiences. Even the item song by Mumait Khan along with Brahmanandam is in bad taste. Another major minus is the heroine Diya. She has failed to perform her role well and at the same time tried to resort to lot of skin show to grab the attention of the mass audiences. It is not clear whether the film is a straight film or a dubbed film as the lip movement miserably has failed to sink with the lyric in any of the songs. The heroine’s dance, behaviour appear too cheap and she has almost played like a roadside recording dancer.

REMARKS: Camera by Suresh is just okay and music by Imam is disastrous. However, the director has failed to reach the expectations of the hero and miserably flunked in narrating the story. One thing any director should remember that penning screenplay for a film is not a child’s play and it needs a lot of hard work. The entire first half is totally boring and the running of the film is totally out of grip of the director. However, he has dried his butterfingers after the interval while narrating the flashback. Again he lost grip and the story continued to make the audiences move impatiently in their seats. The film also ends in a pathetic way, with no clear indication whether the hero’s father gained his knowledge or not.

Maharathi Bollywood movie 2008


Release Date : 5 December 2008
Genre : Thriller, Suspense
Banner : Shri Ashtavinayak Cine Visions
Producer : Dhilin Mehta
Director : Shivam Nair
Cast : Paresh Rawal, Neha Dhupia, Naseeruddin Shah, Om Puri, Boman Irani, Tara Sharma, Vivek Shauq
Story Writer : Uttam Gada
Dialogue Writer, Screenplay Writer : Uttam Gada

Maharathi is a refreshing film, in that it has an original story and screenplay. It is an adaptation of a famous Gujarati play written by Uttam Gada. It seems that actor Paresh Rawal was very keen to make it into a film, and is one of the driving forces behind this film. The other thing that Maharathi has going for it is its stellar cast. It has the likes of Naseeruddin Shah, Om Puri, Paresh Rawal and Boman Irani in it, and they all are in fine form in the film. A thriller by genre, Maharathi has a very interesting plotline; the screenplay too seems to move well, except towards the end, which seems very hurried. The film does not wrap up very interestingly and thus in the final analysis, seems to lack punch.

One of the best things about the film is that the audience is not privy to all the information, and thus it succeeds in giving a nice jolt now and then. In the hands of a more masterly director, it could have been quite a thriller. However, this is not to put down director Shivam Nair.

The film's story revolves around Subhash (Paresh Rawal), a struggler, who has been trying to get into the movies for almost a decade. One night, he saves the life of a man, Mr Adenwalla (Naseer) and helps him back home. The very grateful Adenwalla hires him as his driver and actually feels very close to him, a fact which is resented by his young wife Mallika (Neha Dhupia). Subhash is well aware of this fact. Gradually, he manages to entrench himself in Adenwalla's house and heart. Adenwalla, a once famous filmmaker, who has fallen into hard times, is sick to death of his greedy wife. He hatches a plot and takes the ultimate revenge on her when he commits suicide in front of her and Subhash. He had insured his life for Rs 24 crore but she can only claim it if she can prove that his suicide is a murder. After Adenwalla's death, Subhash senses that fate has given him a chance to make something of his life. Hence, he plots with Mallika to prove that Adenwalla was murdered, with the understanding that they will share the loot equally. The duo decides to get a third person into the house so that they can have another witness. They enlist the help of Mr Adenwalla's lawyer, Merchant (Boman) in this and hire a caretaker (Tara Sharma). The plan is to keep up the pretence that Adenwalla is still alive, so that they have time to plot his so called "murder.' But things go haywire and Mallika is found dead. The cops enter the scene, along with ACP Gokhale (Om Puri) and the plot finally unravels. But Subhash manages to save himself, with the help of his wits and quick thinking.

The plot, like we said, is very interesting. In fact, in parts, some of the film's sequences are quite brilliant, specially the ones featuring Paresh Rawal and Boman Irani. The actors are, of course, brilliant. And that is what saves the film. But there is a lot of confusion in the movie, especially in the final sequences when Subhash manages to save himself and implicate Merchant. Motives are not exactly clear. What is interesting, however, is the manner in which Subhash manages to wriggle out of the disaster.

Since the movie moves at a very brisk pace, one somehow is not greatly bothered by it. But these questions do remain. The unraveling at the end of a thriller is very important. But Maharathi seems to stumble at this point. Also there is a sting in the tale, provided by Tara Sharma's character, but it is somehow not startling enough. A little wasted, one felt.

The director could have paid a little more attention to the smaller details in the plot and the screenplay. Barring that, the film has good production values. The cinematography is good, without any unnecessary frills, unlike what one would expect in a typically shot Hindi thriller film. Even the background music is not overpowering. Nothing takes away from the action and the actors in Maharathi, no songs, nothing. Nair deserves kudos for that. There is a song in the end, but it comes only with the credits and seems more like a promotional number.

Naseer's character is bumped of within the first half hour of the movie. But the master actor creates an impact with his charismatic presence. Om Puri is there for a very little while as well, but he too leaves an impact with his natural style of acting. The two are a study in contrasts, with Naseer being all flamboyance and Om, more earthy and natural. Neha Dhupia as the greedy wife is competent and so is Tara Sharma as the simple caretaker. The real acting honors in the film, however, are shared by Paresh Rawal and Boman Irani, both of who deliver seamless performances.

Maharathi is an interesting film, well acted and replete with some brilliant oneliners by Paresh Rawal's character. It has almost everything going for it but lacks the ability to deliver a knockout punch at the box office.
Part 1        Part 2        Part 3        Part 4       

Rakshana 1993 telugu (Nagarjuna, Sobhana)

 
Director:   Uppalapati Narayana Rao
Producer:   Akkineni Venkat
Music Director:   M.M. Keeravani
Cast : Nagarjuna, Sobhana, Roja, Naajar, Silk Smitha, Kota Srinivasarao, Nirmalamma,
Brahmanandamand others
Release Date: 18 Feb 1993
Genre: Action - Romance
Language: Telugu 

ThinnamaPadukunnamaTellarinda(2008)

 
Director:   Ramkumar
Producer:   S.S.Rao
Music Director:   M M Sreelekha
Cast : Ali, Sivani, LB Sriram and others
Release Date: 04 Apr 2008
Genre: Comedy
Language: Telugu 
 
Ali started his career as child artist and was later promoted as hero through Yamaleela by SV Krishna Reddy. Though he played hero in several other films, none of them could reach the range of Yamaleela. Last year, Ali's film Gundammagari Manavadu gave him some solace. Though he turned hero, he did not keep himself off from his routine comedy roles. In the backdrop of several comedians turning heroes, Ali once again came up as a solo hero with Jyothi Krishna and Tejasri in the female lead in Tinnama Padukunnama Tellarinda. Ramkumar made his debut as director through this movie.  
 

Vinayakudu (Telugu ) 2008

     
Banner:    Prem Movies
Cast:    Krishnudu, Sonia, Ankitha, & others

Director : Saikiran Adivi
Production:    Sarita Patra
Music:    Shyam Prasen
Released on:  November 22, 2008

fails in narration and doesn’t miss the tempo anywhere. The punch dialogues that are satirical written by Sai have been time
There is nothing like or above Love in the creation of god says a poet. It is an integral part of our life. It is defined in various ways by numerous people. For some wealth is a constraint for love, others it may be poverty or physical beauty. A pure heart is what needed for true love, other things are all trivial – says 'Vinayakudu'.

Prem Movies banner, which earlier presented the feel good film 'Aa Naluguru', has made this movie in the direction of Sai Kiran Adavi, an associate of Shekhar Kammula, and is produced by Saritha Patra. 'Vinayakudu' which is based on sensitive emotions is releasing on 22nd. Here we present a review.

Story

Karthik (Krishnudu) lives in Rajolu. He meets Madhavi (Vahida), a resident of Hyderabad, through an internet chat room. They become friends with out meeting each other in person. Karthik comes to Hyderabad to meet Madhavi. He stays at his sister Aparna’s home (Satya Krishnan) who lives with her family in a colony in Hyderabad. One fine day, he goes to meet Madhavi. But in a twist of fate, the crush didn’t last long. Madhavi gets shocked by seeing his appearance and makes her move pretending that she is not Madhavhi but a friend of hers.

Later, by his friend Altaf’s help (Surya Teja) Karthik gets a job in the creative department of Reliance Mobile Company. There he comes across Kalpana (Sonia) with whom he falls at love in first sight itself. She is a girl with specific ideas on life. She starts liking Karthik, but never reveals her love to him. Did Karthik who loved Kalpana at first sight, expressed his love to her? What were the consequences? How it all ended? Watch this big time entertainer on the big screen.

Artists' performance

Sonia who was appreciated for her role as Shravs in 'Happy Days' exhibited good performance as a solo heroine in this film. She could be applauded for presenting sensitive emotions very well in some sequences.

Krishnudu who was popular with 'Happy Days' has bought the character Karthik to life. As the subject is suitable to his physique, never he seems to be acting in the role. In every scene, he exhibited apt expressions and justifies the role of 'Vinayakudu' cent-per-cent. He has literally lived out the character.

Action of Poonam Kaur as Sandy, Surya Teja as Altaf is good. To be specific, Surya Teja has exhibited much ease in performing his character. Satya Krishnan as Karthik's sister does good. Similarly, Ankith, Adarsh and Murali Krishna have emoted within the limits of their characters. After a long gap, actress Tulasi does a role in this film. Presenter Premkumar Patra, director Sai Kiran Adivi and cameraman PG Vinda appears on screen in short sequences.

Work of the Crew

Although, this is his first film, Sam Prasan has composed good music with notable songs. An experiment done in re-recording for some scenes is quite appealing. A little more effort in re-recording would have been appreciated.

PG Vinda, who did the cinematography for 'Grahanam', 'Nandana Vanam 120km' including the recent release 'Ashta Chamma', did his part perfectly and rendered good photography to the scenes in this movie. He used close-ups in most of the scenes which adds beauty to the demeanors.

Editing by Marthand K Venkatesh need not be praised for he is the best of all. He has done his job to the point of perfection with his scissors. The rest of the members of the technical divisions have delivered good team work.

Directors Portrayal

Sai Kiran Adivi an associate of Shekhar Kammula, made this feel good entertainer as his first venture in direction, and exhibited his nifty taste. In presenting the story and screenplay, he seldom
correctly to the mark. Shekhar Kammula’s factory has presented another new talented director to the industry in the form of Sai Kiran Adivi.

Cons

In this feel good entertainer, the incorporation of Ankitha's character which is more villainy does not appeal the crowd. Quite a nice feel good movie yet its target upon the niche audience is a strong disappointment. The characters lag at certain places to associate themselves with audiences of different strata. If made in a more general tone, the movie might have reached the masses in entirety.

Criticism

For Pure love, physical beauty is not important, only the purity in love is needed, with this beautiful message as the theme the film 'Vinayakudu' has made. What could have been a feel good entertainer for the entire crowd lags behind for it has been made pointedly for the corporate audiences. It would have been even better if it was made for everyone. But still on a whole, the debutant director Sai Kiran has hit the bull’s eye almost with his very first venture.

A big fat love story is quite a big time entertainer!

Jayam Manadera 2000 (Venkatesh, Soundarya)

 
Genre: Action/Romance
Cast
: Venky, Soundarya and Bhanupriya

Music:
Vandemataram Sreenivas
Dialogues: Paruchuri Brothers
Story, Screenplay and Direction: N Shankar
Producer: D Suresh Babu

Theatrical Release Date: 7th October 2000

Story
Abhiram(Venky) is a fun loving guy staying with his parents in Europe. A bunch of 10 people won the contest of Thumps up, which gave them an opportunity to tour Europe. Uma (Soundarya) is one of the contest winners. Abiram likes Uma and acts as a tour companion for them during their stay in Europe. A shy Uma could not express her love towards him so she leaves a message in Abhiram's answering machine. But Abhiram could not listen to the message at the right time. Hence, Uma presumes that Abhiram does not love her and leaves back to India with her companions.
Abhiram, who happened to listen the message after Uma left, calls up Uma and make a contact with her. But it's too late for him, as the father of Soundarya (Prasad Babu) commits a marriage for her daughter with Purushottam (Surya), the son of main villain (Jaya Prakash).
On the other track, a parallel story is running in which Jaya Prakash and his gang of goons is searching for 'Rudrama Naidu'. When the father of Prasad Babu sees the photograph of Abhiram, he gets frieghtened and approach Jaya Prakash with the photograph. Jaya Prakash wants to eliminate 'Abhiram'.
When Abhiram comes to know that Uma may be forcibly getting married another guys, he decides to come to India to marry his sweetheart. Just when he comes of the airport, a gang that is after his life chases him and Uma. They (Abhiraam & Uma) could manage to slip off the goons and get ready to flee from India to Europe. During that time, goons again chased him and he is saved by Jhansi in a nick of time. She takes him to a hideout where a group of people hide.
They explain his about his flash back. He is the son of Mahadeva Naidu (Venky), who was the savior or Dalitulu and downtrodden people of 'Karamchedu'. He libarated the 'Dalitulu' in that area and he was killed by the villains, who are none but his relatives (Jaya Prakash). At the time of killing Rudrama Naidu (son) and Jhansi (daughter) are taken away by the lieutenants of Mahadeva Naidu so that they can be saved. At the time of killing Mahadeva Naidu swears that 'Rudrama Naidu' would come back and destroy the villains and save the poor people.
Rudrama Naidu, who is raised as 'Abhiraam', comes to know about the flash back and rest of the film is about how he takes the revenge.
Performance
Artists
Venky: Venky has done two roles as Mahadeva Naidu and Rudrama Naidu (aka Abhiraam). His has done justice to both the roles. But in his Abhiram role, he looked like has put on a few extra pounds of weight. His get-up as 'Mahadeva Naidu' is good. But his mannerisms are not different from earlier roles. His body language did not change for that character. In this film, when Venky come to stop Uma marriage, he utters a few ferocious dialogues that resemble Balayya dialogues of 'Samarasimha Reddy'. But Venky could not evoke any response from the viewers for the dialogues.
Soundarya: Soundarya played a glamour doll in this film. Her role is confined to first half. She hardly has some footage in the second half. Venky teases her in the film that she is fat Uma. Sounds like Venky is right in his judgment.
Bhanupriya: Bhanupriya has done the role of wife of 'Mahadeva Naidu'. He did her bit with full zest. And her role is very similar to her 'Ayodya Ramayya' role.
Technical Departments:
Dialogues: Paruchuri has given good dialogues for this film. But some of them may not be suitable for Venky.
Music: Music is a major letdown for this film. Vandemataram Sreenivas is given an opportunity to work with any of the top 4 heroes for the first time and he failed to make best out of it. Hen Keeravani and Mani Sharma has given an opportunity to work with the top 4 in the past with Kshanakshanam and Bavagaru Bagunnara, they delivered musical hits. On the top of it, 3 songs from the audio album are cut down and another song (solo by Vandemataram for 'Mahadeva Naidu' was introduced). There is no continuity and smoothness in the film.
Screenplay: Screenplay is bad in the second half. It's pretty ordinary.
Direction: N Shankar has failed to utilize opportunity to direct Venky. His handling of climax is of very bad taste. Even the comedy scene where LB Sriram does vulgar stuff is of poor taste. He handled well certain scenes of 'Mahadeva Naidu'. At the end of the film, he wrapped up the climax.
Production: D Suresh Babu, who has flair for youth films with perfect script, has erred beyond repair for this film. Looks like he got confused about the script of the film and produced a film of story that would suit for the people a couple decades back.
Analysis: First half of the film is ok. But the second half of the film is boring and as we reach the climax, the situation worsens. It's very hard to believe that Venky has chosen such a film at this point of his career. Venky, who won the hearts of everyone with sympathetic roles in Raja and Kalisundam Raa could not deliver goods when it comes to doing the revenge taking youngster role. At certain parts of the second half, you will get a feel like you are watching a Sri Hari film (those senseless stunts and exaggerated dialogues). There is similarity in the story of 'Ayodya Ramayya' and 'Jayam Manadera'. The much-hyped 'Matrix' time freeze effect is not effective and unimpressive in the film. This film may not do well in A centers. We have to wait and see how it's going to fare in B and C centers. 

Drona 2009 (Nitin, Priyamani)


Release date: February 20, 2009
Cast & Production
Nitin, Priyamani, Kelly Dorge, Mukhesh Rushi, Sita, Sunil, Raghubabu, Sivaprasad and others
Producer: DS Rao
Director: J Karunakumar
Story: J Karunakumar
Music Director: Anoop Rubens 

Plot
Drona (Nitin) is kidnapped in his childhood and is taken to an island by a mafia group led by Sarkar (Kelly Dorji). Sarkar trains him to become a super thief. Drona’s father is a sincere super cop and Drona’s mother is very sentimental about her missing son. The rest of the story is all about how Drona meets his parents and comes out clean.
Artists Performance
Nitin: Nitin is good as Drona. His dances are fabulous and his energy levels in dances are increasing from film to film. But sadly, his judgment and decision making skills are becoming poorer. He should start taking his career seriously instead of acting in each and every project that comes in his way. It’s been years since he gave a hit. And the main reasons for all his recent failures are bad scripts and inept directors.
Others: Priyamani is hot in this film. She wore skimpiest bikini in the first song and drenched in rain for the last song. Sunil is entertaining in a brief role done in this film. Mukesh Rushi and Seeta are adequate. The characterizations of villain gang are so bad that they end up looking like jokers. Kelly Dorji did not have much to do on the screen except for looking amused. Dr. Siva Prasad does a Sakuni kind of role with old-fashioned dialogue delivery. Rakhi Sawant did an item song which was badly picturized.
Technical departments
Story - Screenplay - Direction
The story line has a similarity to that of Rakshasudu film. The heist techniques in the opening scene remind us of Dhoom II. Walking through laser rays is taken from ‘Entrapment’ (Catherine Zeta Jones). The script of this film has potential. But the director handled the subject amateurishly. Screenplay of the film is not up to the mark. Director did not put any lead scenes that built tempo for mass scenes in this film.
Other Departments
Music by Anoop Rubens is adequate. A couple of songs are good. But the background music and rerecording leaves a lot to be desired. Cinematography of the film is inconsistent. Light is so bad that in some of the scenes that you can notice make-up on the faces of all actors. However, the color grading makes it up for the island episodes in the second half. Dialogues are mediocre except for Sunil’s one-liners.
Last Word
Drona is about a son (criminal) meeting his father (cop) and mother after a separation for 14 years. The main drawbacks of the film are incompetent direction and bad villain characterization. When the villain’s character is not etched properly, the heroism does not get elevated. It may find some favor in B and C centers. On a whole, Drona is a badly shot film. 

Ankit Pallavi & Friends (2008)(Telugu)


Banner:    Innovision Cinema
Cast:    Nikhil, Megha Burman, Naresh, Seetha, Santhosh Pavan, Venu, Surya, Pradeep, Sudeepa
Direction:    Hari Yelleti
Production:    Kishore Ganji, Raghu
Music:    Vinu Thomas
Released on: September 5th, 2008

Story
Ankith (Nikhil Siddharth) is a Final year student doing his B.A. in college. Music is his passion and  he aspires to make it big in the industry as a music director. He is joined by his four friends Pallavi (Megha Burman), Suneel ('Jai' Venu), PingPong and Gopi. Ankith works as a waiter in a hotel yet aspires to attain his goal by his endeavour. Cupid strikes Ankith as he falls in love with Pallavi, who initially rebuffs his proposal but agrees to it later on. However, they break up as Pallavi feels vexed with his rudderless life-style, feels that her doting love for him and her emotions are not duly appreciated. The actual story commences from this point of the movie . Ankith makes it big in the music industry after a few initial rejections. What do his friends achieve in their lives? Did Ankith and Pallavi patch up again is to be watched on screen as the plot unveils.
Performance – Lead cast
Nikhil Siddharth as Ankith, has displayed considerable maturity in enacting the role in comparison to 'Happy Days'. He also exhibits ease in miming the scenes and dance sequences. He can mold himself to attain name, if given an opportunity to play more prominent roles.
'Munna' starrer 'Jai' Venu returns after a gap, has played a good role in this film. He utilized this opportunity very well. He provided a lot of entertainment in the role of Suneel. His performance will sure bring him recognition and many opportunities his way.
Finally Naresh and Seetha who acted together after 'Police Bharya', have performed graciously with in the scope of their roles.
Director's Portrayal
Hari Yelleti debuting as a director with this film has handled the screenplay efficiently and without creating boredom on an average film goer at any point of the film. He had also shared a piece of his mind to the youth. The message is imparted by the role of Ankith which says 'The number of degrees earned is not as important as to what is achieved in life'. The dialogues bolsters the movie written by the director and he has envisaged the characters slick on screen.
Pros
Nikhil's performance, 'Jai' Venu's comedy, dialogues by Hari Yelleti, Music of Vinu Thomas, Editing of Marthand K Venkatesh, Malini Dasari's photography.
Cons
Heroine Megha Burman's performance; lack of popular artists; the film is made only for   youth; are a few voids for the film.
In a Nutshell
APF appears like a sequel to Shekhar Kammula's 'Happy Days'. The makers of the film beautifully etched the fact to the film, that the youngsters don't just enjoy their life, but also are strong enough to face any hurdle that lays in their path before reaching their ambition. In toto, this film is made for the youngth that will entertain the young audiences of  the Multiplexes.

Satyameva jayathe telugu 2009


Banner:    Sivani Sivathmika Movies
Cast:    Rajasekhar, Sanjana and others
Direction:    Jeevitha Rajasekhar
Production:    Sivani Sivathmika
Music:    S Chinna

Police stories have been fascinating Telugu audience since a long time. For Dr. Rajasekhar, ‘Ankusham’ was a milestone in his career which paved for many more films with a similar theme in the industry. In the line of films like 'Evadaithe Nakenti', 'Gorintaku', ‘Sathyameva Jayathe’ is the latest addition in Rajasekhar’s police films list.
Directed by Jeevitha Rajasekhar and produced on Sivani Sivathmika Movies banner, 'Sathyameva Jayathe' is all about the power and selfless thinking of a sincere police officer who wipes out the lawlessness in civil establishment. Here goes a concise review on the pros and cons of the film.
Story
An orphan boy from a compassionate orphanage grows with good deeds into a respectable and sincere police officer Satya DCP (Rajasekhar). Known for his merciless encounters in the department, he stands as proof for wiping out criminals and establishing peace in the society. Happily married to his love Sanjana, Satya continues his duty until he concurs against the assassination aimed at Chief Minister (M. Satyanarayana Rao) by a group of militants led by Ran Dev (Milind Soman).
He rescues the Chief Minister and sends Ran behind bars. In turn, Ran’s men murder Satya’s pregnant wife and his relatives. The enraged terrorists also execute a blast in the premises as a vengeance act to hide their bad ordeals. Terming Dr. Irfan Ansari (Athul Kulkarni) as the man behind the attack, he gets shifted to Vizag Jail. CM calls for Satya and entrusts him with the job to bring in Irfan from Vizag and produce him in the court.
Accompanied by Prathap (Shivaji), Pandu (Sai Kiran), Basara Papa (Neethu Chandra), Satthi (Sivareddy), Satya begins his mission to nab the real culprits. While bringing in the framed criminal Dr. Irfan, police commissioner (Ahuti Prasad) in association with Home Minister (Shayaji Shinder), the think tank people behind the terrorist Ran make plans to execute Satya and Irfran at one go.
How Satya breaks the plans and remove the masked illegal people behind the plot forms the crux.
Performance of Cast
Rajasekhar's performance eventhough clichéd it good as it was in his earlier super hits 'Ankusham', 'Agraham' and 'Magadu'. As his role in family dramas and romantic plots didn’t work out, he has reverted back to what he does best. He fits perfectly into the role of an honest police officer fighting for justice. However, if some changes were made in the story and characterization it would have been a better watch.
Neethu Chandra who performed neatly in 'Godavari' as a native Telugu girl, is limited here as a glamour girl just as a glam prop. Even the dialogues designed for her character are not up to the mark with an average scope.
This is the second film for Sanjana after 'Bujjigadu'. She appears for a very short time on screen and doesn’t have enough space to perform.
Sheril Pinto who had come from Tamil to Telugu industry is in a similar position although she goes a step ahead of Neethu Chandra in her riveting costumes. Both Neethu and Sheril are in tough contention to put up a skin show but not for acting at any cost.
The real life congress leader M.Satyanarayana Rao performed naturally well as the Chief Minister. SivaReddy's dubbing did not synchronize at certain instances. Milind Soman as RanDev, Athul kulkarni as Ansari, Sayaji Shinde as Home Minister AnandaRao, Brahmanandam as Thyagaraju and Ali's performance are plus points for the film.
Shivaji, Saikiran, SivaReddy, Ahuthi Prasad have done their portions well with in the scope of their roles.
Work of the Crew
The re-recording and music composed by Chinna is neither outstanding nor bad. Songs are placed at wrong instances with some average tunes. Mani Vasagan's cinematography lacks quality and presentation. Rajasekhar has done a good screenplay which carries the script forward. Nandamuri Hari's editing is neat and doesn’t lag much. Writer Mohan has rendered most of the dialogues which conveys double meanings and makes us feel uneasy. Horseman Babu's work is one of the important additions, who have lent his part by blasting some of the cars and choreographing some good fight scenes.
Director’s Portrayal
Jeevitha Rajasekhar cannot bargain complete credit for making ‘Satyameva Jayathe’ as it is bits and pieces of her but the story was borrowed from the Bollywood ‘Khakee’ starring Amitabh Bachchan. She did a good work in her directorial venture ‘Seshu’, a remake of Bala’s ‘Sethu’ with Vikram. This time around she has altered the scenes and script a bit to suit Telugu nativity. Rajasekhar in his screenplay and Jeevitha in direction have targeted the movie towards the mass crowd without divulging to satisfy the family audience. On the whole, her work is fine and directorial part of the film is good if not excellent.
Criticism
‘Satyameva Jayathe’ is a comeback for Rajasekhar’s clichéd style of efficient and honest policemen. Family drama is not his piece of cake, so as a safe bet he came back to his role of an angry young man. But, still he didn’t have a complete makeover. At certain instance, he tried to pull in romantic and sentimental emotions which pass off meagerly. Film goers with an expectation of Rajasekhar’s old angry man style will feel rejected; so will be the family crowd too. In an attempt to appease both the mass and class crowd, Jeevitha made ‘Satyameva Jayathe’ as a mass commercial action entertainer which might turn as an average grosser at the box office.
Verdict: A balancing act to appease everyone which succeeds partially

Erra Gulabeelu (2011) Telugu Movie


Banner : Mana Desam Movies
Cast : Veera, Sameera Reddy, Swapna Abraham, Deva, Ashwin Kakumanu,
Samantha and Others
Producer: Ashok Vallabaneni
Director: Gowtham Menon
Released Date: February 18, 2011
Music : Ranganath Rave
Cinematography : Manoj Paramahamsa
Editor : Anthony

Story:
A gripping tale, the story begins with the kidnapping of Sukanya (sameera) and her boyfriend (ashwin) is killed brutally. In comes the investigating cop S P Vijay (deva) and he discovers a girl behind this. As a result, Vijay reaches a bungalow in the city outskirts and here he comes across Samar (veera). This teenager reveals his flashback which involves his sexually abused childhood, his relation with neighbour Meenakshi (swapna abraham) and how her marriage leads to a killing spree. What happens after that forms the rest of the story.
Presentation:
The director has come up with a gripping storyline and while the presentation was good, the narrative was strong. The dialogues were sharp, the script was tight and the screenplay was taut. There is no music and that is a highlight. Cinematography is top notch and scores the brownie points. Editing was crisp. Costumes were natural and trendy while the art department was apt and haunting. Sameera Reddy has come up with an impressive performance. Swapna Abraham looks sensuous and she carries her role well. Deva makes his presence felt with his act. Samantha was brief. The real show stealer was Veera who got into the skin of the character and gives shivers.
Conclusion:
It is not often that one dares to come up with such types of movies and the entire team must be appreciated for this effort. While the opening is a bit complicated, the film begins to settle with each passing scene. The first half was somewhat mild but the real chills begin in the second half. Overall, this is a film which is meant for select audience but to those who love unconventional cinema and spine chilling treats, this will work. At the box office, this will be a profit grosser.

Revolver.[Spanish-English] 2008


Director: Guy Ritchie
Cast: Ray Liotta, Francesca Annis, Jason Statham, Benjamin Feitelson, André Benjamin, Louis Dempsey, Tony Denham, Jimmy Flint, Evie Garratt, Ricky Grover and others
Género: Crimen, Drama, Thriller
Release date: 18 March 2008
Sinopsis:Jake Green (Jason Statham) es un astuto jugador; audaz pero falto de sentido común. Por todo eso y por ser un auténtico ganador, está prácticamente vetado en todos los casinos. Durante los últimos años ha ganado tanto dinero que es el único cliente de su contable y de su hermano mayor Billy. Una noche, Jake, Billy (Andrew Howard) y su otro hermano, Joe (Stephen Walters), son invitados a participar en una partida privada en la que Jake debe dejarse ganar por Dorothy Macha (Ray Liotta), jefe criminal y propietario de un casino local. Jake no teme a Macha, y no es que tan solo le derrote en una rápida partida, sino que también aprovecha cada oportunidad que encuentra para insultarle. Jake y sus hermanos dejan la partida. Macha da la orden de acabar con Jake, que termina trabajando para Avi (André Benjamin) y Zack (Vincent Pastore).

Tai Chi Master 1993 Hardcoded English

 
Release date: 18 November 1993
Subtitles: Find more
Genres: Action, Drama, Comedy, Thriller
Director: Woo-ping Yuen
Writer: Kwong Kim Yip (screenplay)
Cast: Michelle Yeoh, Jet Li, Siu-Hou Chin, Shun Lau, Hai Yu, Cheung-Yan Yuen, Fennie Yuen
and others

 Jet Li was a monk in Shaolin. In a friendly competition for a higher place in Shaolin, his childhood friend almost kills a fellow student for using a concealed weapon (which cannot be used in the competition). He and his friend got kicked out of the Shaolin. They met rebellions at that time of China. His friend betrayed Jet Li and his rebellion friends for money from the China government. Jet Li went crazy and discovered the art of Tai Chi at the recover period. Revenge seem to the only thing he is going to do

Blue Streak.1999


Languages:  English  , Hindi
Release date: 17 September 1999
 Genres: Action, Comedy, Thriller, Crime
Director: Les Mayfield
Writers: Michael Berry, John Blumenthal
Cast: William Forsythe, Martin Lawrence, Rocco Salata, Tamala Jones, Luke Wilson, Jason Kravits, Timothy Dale Agee, Timothy Dale Agee, Carmen Argenziano, Graham Beckel and others 

Martin Lawrence once again playing a cop, no literally.
Jewel thief Miles Logan (Martin Lawrence) returns to his hiding place after a jail stint — only to find that his booty is buried under a newly constructed Los Angeles police station. Logan poses as a cop to get the loot, but his rookie partner (Luke Wilson) could prove to be a huge liability.
The movie needless to say is a big blatant rip-off of the Eddie Murphy buddy cop action films of the 80′s like 48 Hours and Beverly Hills Cop, but to say the least isn’t a terrible rip-off. This movie really surprised me. I expected another unintellectual juvenile comedy. It wasn’t like that at all.
I understand that this genre is familiar but Director Les Mayfield puts a new spin on it with a lot of funny moments. The film not only reminded me a lot of those Eddie Murphy comedies, but also a lot about Lethal Weapon. Usually I don’t like it when random chases come into the fold but the film does have a good blend of its action and very funny comedy.
Now the one main reason to see this film is really all Martin Lawrence, who is just basically hilarious every scene. Basically this film gives him every chance to let out all the energy inside of him, because not only is he playing a fake cop, but also a person who still is a crook, and he does it real well, and provides all of the humor in the film.
The thing with this film is that it doesn’t feel legit. I feel like as the plot went along so did the film and although it isn’t as bad as you would imagine some points the film just seems made up. There are moments of genuine comedy in this film obviously, but then there are parts where the comedy totally misses, and misses quite badly too. Probably because the only funny one is Lawrence and when he isn’t delivering the lines its pretty lame.
Consensus: Blue Streak is a familiar movie with some spots that don’t hit the mark, but ultimately lets Martin Lawrence be Martin Lawrence with enough comedy and enough action to keep you satisfied.

HITCHER 1986 english


Director: Robert Harmon
Writer: Eric Red
Stars: Rutger Hauer, C. Thomas Howell and Jennifer Jason
Language: English
Release Date: 21 February 1986 (USA) 

Quite possibly the most lengthy, elaborate and downright gruesome public information film ever made, ‘The Hitcher’ teaches us one lesson and one lesson only: DON’T pick up hitch-hikers. Ever. Not even Dutch ones.
Above all the shocks, the gruesome deaths, the car crashes and the explosions, it works primarily because it taps into the one basic primal fear from which we all suffer: fear of Rutger Hauer. The big craggy-faced Aryan is pant-browningly scary as the appropriately-named John Ryder who, one dark and rainy night on a desolate road, is picked up by idiotic youngster Jim Halsey (C. Thomas Howell). Jim just wants some company to help prevent him from nodding off. John just wants someone whose eyeball he can jab his flick-knife into. You can tell they’re not going to make happy bedfellows.
The film swiftly turns into an electric cat and mouse chase, as Ryder carries on slaying all and sundry whilst an exasperated Halsey desperately attempts to convince the hapless local police force of his side of the story. The only person who’ll believe him turns out to be roadside café waitress Nash (Jennifer Jason Leigh), who you’ll instantly know REALLY shouldn’t get involved. And you’ll be right.
Laced with suspense and terror, John Harmon’s directorial style is spot on for getting the most out of this dark yet strangely enjoyable tale. The story itself doesn’t always work that well, with the plot relying increasingly on the glossing over of various holes in order to progress from one stage to the next. And Halsey, in textbook horror movie fashion, makes just about every wrong decision possible as he bids to outsmart his almost inhuman stalker. You’ll want to punch him in the side of the face by the time it’s all over, but only once you’ve climbed out from behind the sofa.

Gantz 2011 English Dubbed


Directed bу Shinsuke Sato
Cast: Kazunari Ninomiya, Tomorowo Taguchi, Takayuki Yamada, Ayako Yoshitani, Ken'Ichi Matsuyama, Kanata Hongô, Yuriko Yoshitaka, Kensuke Chisaka, Natsuna Watanabe, Shun'Ya Shiraishi and others
Language: English
Release date: 29 January 2011
Genres : Action
Gantz is the tale of Kei Kurono, a young man who, after being hit by a subway train, finds himself, along with others recently deceased, in a mysterious apartment, inhabited by an even more mysterious giant black ball. This ball informs the gathered persons that their lives now belong to it, and it has decided they need to perform assassination missions. Make that, assassinations of alien invaders, currently living on earth, right under human noses. By carrying out missions and surviving they will earn points, and thereby work towards getting a second shot at life.
Sounds like the Gantz you know and love? Well, kind of.
This is Gantz as you would expect from a contract negotiation where the purchasing parties did not quite know what they had bought. It’s a film where marketability has taken precedence over truthful adaptation. It is one where star power decides who lives and dies, basic character motivations, and how the story will ultimately unfold. It is one where the series staples, namely boobs and blood, have been filtered through seeming Puritanical committee — buckets of blood are okay.. just no beheadings, or god forbid, nipples!
 First and foremost, Kei (Kazunari Mimomiya) is a now a nice guy. Yes, you read that right. He’s not the arrogant prick who thinks he knows everything, and owes nothing to anyone. He’s not the sukebe pervert who drops porno mags in the subway and fantasizes weird stuff about Kishimoto in a dog collar. He’s not the guy who does a Tomb Raider look-alike in the hallway of Gantz’s apartment to establish his masculinity and superiority. He’s your average shy high-schooler, harboring innocent crushes, who dreams of a larger destiny for himself. In fact, he’s even got an admirer from the get go, in the form of Tae (Yuriko Yoshitaka), a character from the blue phase of the Gantz manga (explained later), an all around nice girl with hopes of Manga superstardom. It’s so sweet it’s saccharine.
This departure is likely largely due to Mimomiya’s superstardom. The member of boy-band Arashi’s sheer presence in the film guarantees female attendance. Making him an asshole would sacrifice box office millions. And adding Kenichi Matsuyama (aka: MatsuKun) to  the mix, you have yourself a veritable cinematic female catnip — even with a film about alien-killing teenagers (it’s worth noting here that our Gantz screening was packed with a roughly equal male to female ratio. Insane!). Both are decent enough actors, but they feel a bit wrong for the characters. Mimomiya was a bit too happy go lucky for a boy in constant danger of being obliterated, while Matsuyama came across as a bit too philosophical for the beefy Kato.
The female leads feel a bit odd as well. Natsuna Watanabe does her best to provide the set dressing her cardboard cut-out Kishimoto requires, but she wasn’t quite cute enough to be sell the illusion (in fact, Watanabe looked disturbingly like Anita Mui in Rumble in the Bronx). Yuriko Yoshitaka’s Tae, on the other hand, was a far cry from the runty little girl she was in the manga. Her illustrations usually came off as mildly disturbing, while the female in the film was center-poster material.
 Acting from all involved was probably decent enough…but I can’t say anything one way or the other. Rather than preserving the original Japanese audio track, VIZ opted for the most horrible english dub I have heard since early days of Jackie Chan Dimension Pictures releases. I’m sure some dumbass in marketing had a convincing reason for doing so, but given the fact that this was a Thursday night screening of a big budget Japanese Anime/Manga adapation, appealing to otaku who know how, and are used to reading, and native Japanese speakers interested in seeing a film from Japan, in their own language, in American cinemas…this was beyond retarded. Seriously, VIZ should be ashamed of themselves. The actors’ facial emotings seemed honest enough, but the voiceovers destroyed any suspension of disbelief.
But you know what? As bad as I make it sound, it’s really not. Even with all the narrative tampering, oddball censoring, and questionable casting, Gantz The Movie is pretty decent. The film flows a lot better than the anime, and there is a definite sense of urgency in the majority of the missions. Missions that spanned an unnecessarily long three-to-four episodes in the anime are condensed to 10-to-15 minute outings in the film. And for the most part, the spirit of those missions are intact. They may not be as large scale (four enemies might be condensed down to one), but the dangers posed are all there. One or two death scenes have their particulars adjusted, which robs them of their poignancy, and not all the participants are present and accounted for (no Tomb Raider chick…no sukebe dog), but they are all exciting, and recognizably Gantz.
Furthermore, the special effects in the film, while not entirely up to American standards, are some of the best we’ve ever seen for Japanese action pictures. Just compare it to other big budget efforts like Nihon Chinbotsu and Assault Girls. It’s great!
 Lastly, Gantz fans will find some treats in the forms of A number of characters from Gantz‘s blue phase (named for the color of the covers…[Forgive me for getting technical here, but the issues that formed the basis for the original anime were all red, up until a point where the anime split off and completed its own ending. Blue continues the story with Kei finally being forced to learn about responsibility and duty to others beyond himself...I could go on, but you should probably just go read it]), but which never appeared in the original anime are present in the film. For example, the previously mentioned Tae, who Kei ends up dating on a dare is present, as well as an old man who helps him fight off some dinosaurs in an awesome circular motorcycle (like I said, read the manga).
Criticisms aside, I did like the movie. I liked it quite a bit. In fact, I’ll probably be purchasing it once copies are available stateside. I mean, I already buy damn near everything else Gantz, and this is far better than some of the weaker manga entries. If you do see the picture, be sure to stick around for a trailer for the second installment after the credits.

Area 51 2011


Language:  English
Director: Oren Peli
Studio: Paramount Pictures
Release date: 21 October 2011
Genres: Sci Fi, Thriller, Horror
Cast: Wray Featherstone, Sandra Staggs, Ben Rovner and others

Area 51, like director Oren Peli's Paranormal Activity, will take advantage of the "found footage" narrative strategy centering around three teenagers whose curiosity leads them to the legendary and mysterious Area 51 Air Force base deep in the Nevada desert.

Pop songs



7G Rainbow Colony 2004 Tamil

 
Release Date: 15 Oct 2004
Genre: Romance
Language: Tamil
Certification: U/A
Cast - Ravi Krishna, Sonia Agarwal, Suman Setty, Vijayan
Director - Selvaraghavan
Producer - AM Rathnam
Banner - Sri Surya Movies
Music - Yuvan Shankar Raja

It is difficult being different in typecast Kollywood. The entrenched set-up doesn't allow you to take chances or experiment. It takes one-pointed monkishness to do your own thing. But Selvaraghavan is luckily one. As we saw in Kadhal Kondein, he has a brooding streak in him and is ready to plough his own trail. With 7 G Rainbow Colony he proves that our assumptions about him are not misplaced.

Here he has taken a very difficult, and dare one say a taboo subject, and given it the veneer of acceptability. In a nutshell, to accept this film one needs to throw away one's hypocrisy and misplaced prudishness.
It is also subject that needs deft handling --- like a tightrope artiste he had to be careful with his steps; one wrong move, he would be down on the ground. In this rites of passage story, Selvaraghavan has probed enigmatic human emotions. It is a realistic narration of the happenings in the life of a middle class youth, who yearns and craves for a rich girl.
The story goes like this. Ravi Krishna, the elder son of Vijayan is an irresponsible youth, who bunks classes, fails in his exams, go behind girls and freaks out with his friends. Upon ridiculed by his father, he picks up a fight with him. At this moment enters Sonia Agrawal. Her family (a North-Indian one) takes up the flat 7G in the Rainbow Colony. As usual Ravikrishna like any other youngster in the area tries to impress her. He repeatedly goes behind her and cuts her name on his hand and tries to impress her with greeting cards and letters. But everything is futile.
He develops an inferiority complex and goes into a shell. Upon realizing his sorry fate, Sonia steps in to solve all his problems. She motivates him to come up in life and helps him find a job. The latter half is all about Sonia Agrawal falling in love with Ravi Krishna and her efforts to hold his hands in support. However, a series of events in their lives finally separate them and that makes the heroine to take a momentous decision in her life.
Debutant Ravi Krishna, son of producer A M Ratnam, plays the hero. He fits the next-door boy image very well and considering that it is his debut film, he needs a special pat for his performance.
Be it flirting behind the girls, antagonizing his father for chiding him, acting smart to impress the girl next door or getting mentally depressed at his lover's death, this young lad has come up trumps.
Not far behind is Sonia Agrawal. Though her character seems to be an improvisation of her role in Kadhal Kondein, she does it with ease. Especially towards the climax when she decides to share the bed with her lover, she has given her best on screen. She is indeed a screen-stealer in the movie.
A realistic portrayal of characters is the highlight of the movie.
With able support from Yuvan Shanka Raja and cinematographer Aravind Krishna, Selvaraghavan has succeeded in leaving a lasting impression in 7G.
A few dialogues, which one may find hard to digest, and a lengthy climax are the handicaps for the smooth flow of the movie.
All said, Selvaraghavan deserves praise for trying out an unconventional theme and pulling it off with elan.
More than anything else, the film is not run of the mill. This is certainly no pallid pastiche of songs and fights and if possible some story.

Enakka Unakka(2010) Tamil

 
Starring: Priyamani, Nitin, Seethan, Mukesh, Rishi, Babu Antony, Raki Sawant
Director:   Karunakumar
Producer:   Ravichandran
Music Director:   Anup Rupens
Release Date: 04 Jun 2010
Genre: Drama
Language: Tamil 
 

Bheema[2008] Vikram, Trisha


Sri Surya Movies
Director: N. Linguswamy
Writer: Sujatha
Stars: Trisha Krishnan, Raghuvaran and Prakash Raj 
Genres: Action


Movies with rowdies as hero have so far fallen into one of two categories - the masala rowdy movies like Gemini and Red, which are primarily entertainers that offer a good mix of action, romance, comedy and sentiments; and the realistic rowdy movies like Pudhuppettai and Naalai which treat the subject more seriously by focusing on its dark side and not sugarcoating it. Bheemaa hangs uneasily between these two categories. It finally decides the route it wants to take towards the end but the done-to-death story and action overload until then make us lose our patience much earlier.

Chinna(Prakashraj) is a powerful dada who tries to do good even if his means are not always lawful. Sekhar(Vikram) has idolized Chinna ever since he was a young boy and finally gets the chance to join Chinna's gang. He quickly earns Chinna's trust and affection and becomes his right-hand man in his fight against Periyavar(Raghuvaran), the other dada in town. Meanwhile Charu(Trisha), who has taken a liking towards Sekhar, woos him but he has no intention of reciprocating her feelings.

The glorified heroism and the colorful song sequences make us look at Bheemaa as a masala flick. At the same time, its sober tone, lack of overt comedy and violence(there is not a lot of blood or gore since thankfully, hand-to-hand combat and guns, rather than aruvaals, dominate but there are a lot of broken arms and legs and the body count is pretty high) ask us to take it realistically. And that raises a lot of questions that one would usually overlook in a masala film. Why, for instance, would Prakashraj and Bheema go into the under-construction building without a gun when they seem to be able to draw out their guns at a moment's notice at other times? How exactly did Vikram manage to kidnap Raghuvaran from his own bedroom and transport him so far away? Such questions keep popping up at regular intervals, preventing us from taking the film seriously.

Bheemaa's story is almost shockingly unoriginal. The story of the hero becoming a dada's right-hand man and the two of them clashing with another dada has been told too many times already. There are not too many variations one can draw out of this story and Lingusamy doesn't even try. Instead, he just tries to add another dimension by building an emotionally symbiotic relationship between Vikram and Prakashraj(the film does do this right by making Vikram see Prakashraj as a role model and try to emulate him right from his childhood). Unfortunately, even this kind of a mentor-protege relation has been seen before in Mandhiran.

The downside of having this cliched, threadbare story is pretty clear in the first half. While fight sequences are usually inserted into the screenplay to make the action lovers happy, Bheemaa's first half feels like one long fight sequence with some dialogs and songs inserted to give the stunt master a break! The fights, especially the one in the market and the one in the under-construction building, are really good. They are well-staged, intense and convincing even if Vikram is made to look like a superhero swatting down the bad guys like flies. But there is such a thing as "too much of a good thing". As the gangs shoot at each other and Vikram single-handedly beats up the bad guys, we soon realize that the story gives us nothing new and barely moves forward.

It is only towards the end, after all the action, that the movie finally picks itself up, dusts itself off and gets down to involving us. Emotions are allowed to surface(sometimes a little too openly but after the lack of heart for so long, even that is welcome) and they lead to interesting conflicts and even more interesting decisions. The proceedings are very surprising and the tone the movie adopts is not what we expect at all. And at the end, we see the movie has developed not just a heart but also a soul as it even brings in a moral and after the recent turn of events, it is able to do so without seeming hypocritical.

Vikram saves the day with his star power though we do wish it had been put to better use. Looking beefy but well-toned, he makes the fight sequences work and looks convincing as he puts the bad guys down with little effort. Trisha appears in another of her usual roles. She looks good in the regular scenes but appears garishly made-up in the song sequences, especially Ragasiya Kavavugal.... Prakashraj is solid as usual while Raghuvaran isn't given much to do. Oru Mugamo... is picturized well but all the duets are disappointments, both in placement and in picturization. Only Enadhuyire... impresses as it plays in the background and finally gives Vikram and Trisha a chance to exhibit some chemistry. Rangu Rangamma... finds Sherin doing an item number and is unremarkable save for the fact that, since it was probably picturized when Sherin was actually popular, it gives us an indication of how long it has taken for the movie to hit the screens!

Theeratha Vilayattu Pillai .2010.Tamil

 
Cast : Vishal,Tanushree Dutta,Neethu Chandran
Director: Thiru
Producer: Vikram Krishna
Music Director: Yuvan Shankar Raja
Release date: 12 February 2010
Genre: Romance
 
Drenched in mediocre results with previous films ‘Sathyam’ and ‘Thoranai’, Vishal plays it safe this time with a different genre. ‘Theeradha Vilayattu Pillai’ exhibits down with a breezy romantic storyline, but again has lots of prototyped commercial elements that prevailed in his previous flicks.

Moreover, the screenplay just seems to be similar with reality shows that have dramas of ‘Elimination’, ‘Surprises’ and ‘unwanted special guests’ during the course of film’s protagonist pinning down on girl of his choice.

The film is about happy-go-lucky Karthik (Vishal) on the pursuit of best things in his life. Be the Reynolds pen or the girl he marries, if wants everything to be perfect. Karthik embarks on a completely perplexing journey of developing an affair with three different girls at the same time.

Priya (Sarah Jane) strongly believes falling in love with a person and marrying him while Tejaswani (Neethu Chandra), a top-class millionaire having a bitter experience in love and Jyothi (Tanushree Dutta), an athlete with a disregard for guys.

As Karthik starts flirting around with these gals, he is completely unaware about its consequences, which pits him into deep troubles more than he bargained for.

Vishal makes an effortless performance. But it’s quite interesting to watch him stepping out of stereotyped characterization. Naturally, the frontbenchers are sure to identify themselves with the role of Karthik. Neethu Chandra gets meaty role on different dimensions as she shares more screen space with Vishal. Sarah Jane enchants us with her cherubic looks and scores brownie points with her decorous show. Tanushree Dutta gets a substantial intro, but looses out her very characteristic nature due to filmmaker’s amateur treatment of establishing scenes. Prakash Raj sleepwalks through his role and doesn’t appear more than 3 sequences. Santhanam, Sathyan and Mayilsamy offer us delightful ingredients with witty one-liners. Some of their hilarious quotients keep the first half more spanking.

Debutant Thiru has picked a zippy script well-tailored for youth cohorts, but his screenplay is too predictable right from the beginning till end. Obviously, if you’re quite intelligent, you would guess the girl joining hands with Karthik at last. As mentioned earlier, the way Karthik eliminating each girl when they find out his cloak-and-dagger intentions is so tedious.

Musical score by Yuvan Shankar doesn’t contribute much to the film’s narration. Except ‘En Jannal Vandha’ none of them sounds interesting. Nonetheless, Vishal seems to have focused a lot over technical arenas – costumes and locations particularly.

Aravind Krishna’s cinematography is fantastic as he keeps playing with innovative placements of angles pertaining to psychological aspects of situations. Editing is okay and choreography by Bosco and Ceaser for ‘Theeradha Vilayattu Pillai’ is tremendous.

On whole, ‘Theeradha Vilayattu Pillai’ has convincing elements specially catering for B and C centres. With Sun Pictures handling it all with vigorous promotions, the film may get on for favorable results till next weekend with accordance to other releases.

What works: Vishal, Sarah Jane, Neetu Chandra, Comedy, cinematography…

What doesn’t work: Tanushree Dutta, slow-paced screenplay in second half, predictable moments, unwanted cameo of Sneha, Music….

Silanthi Tamil Hot Horror Movie 2008

     
Banner:    Ji Company
Cast:    Munna, Monica, Riyaz Khan, Nellai Siva, Ganesh Babu, Jagan
Direction:    Aadhiraj
Production:    P Shankar
Music:    M Karthik

In today's booming IT culture, for every woman, character is more important than her career. Journalist-turned-director Aathirajan has taken this serious theme and churned out ‘Silandhi’.
Monica, hitherto playing conservative girl in movies like ‘Azhagi’, has taken to glamour with ‘Silandhi’. She plays a newly-married girl, who runs for her life. Munna is cast as her lovable husband, who helps her overcome her troubles.
Though the first half lags as it simply revolves around two characters ( Munna and Monica), Aathirajan has made the second half more crispy and racy. The background score is yop-notch and it sets up the momentum. The dialogues in the latter part of the film deserve appreciation.
Fowzia's cinematography and Sathish Kurasowa's editing lends solidity to the film. Fowzia's lens captures the runs and chases well and is equally complimented by the music composer's thrilling background music.
Watch out for debutant Chandru, who plays a youth on revenge mode. He has carried himself well on the screen.
Munna and Monica visit a resort soon after their marriage. Monica encounters strange things and finds out a man is on her trail. A flashback reveals that three of her friends, who work for high salary in an IT firm, take to posh life style. They drink and booze and go for dates. They rag a LIC policy agent (Chandru).
In the melee, he suffers head injuries and dies. Monica, who stays away from the incidents, helps them clear the body. One after another the girls get killed. Did Monica escape form the climax.
Monica has acted well. But at many places, she oozes glamour aimed at enthralling youngsters. Munna has performed with calm and ease.
Though the movie could be enjoyed only in parts, congrats Aathirajan for dealing with an issue which is relevant to the society.