Who's Your Daddy (2003) UNRATED DVDRip 18+ Movie Free Download
Ye Maya Chesave
Movie Review: After a not-so-impressive debut vehicle (Josh), Naga Chaitanya returns in a refreshing rom-com and this time around he steals your heart. He plays an endearing lover boy, (something that his grandpa ANR and dad Nagarjuna had excelled in at one time) and actually does a good job of it. In the film, Chaitanya plays the role of a lively, glib, passionate young man who pursues his love with great zeal. His perseverance in fact, transforms even an unyielding and traditional girl (Samantha) and makes her shrug off her initial inhibitions about love and marriage.
In this nice coming-of-age movie, both protagonists are young and spirited but with diametrically opposite views, yet passionate about each other. More than the familiar plot of boy-meets-the-girl, director Gautam Menon tactfully works around the initial hiccups, scepticism and charming trepidation of first love. Even though the separation of the two lovers towards the end of the film looks very contrived, it establishes how separation actually strengthened their bond.
The film is devoid of clichéd comedy track, but the matter-of-fact conversations between the lead characters provide necessary wit. Another USP of the film, is maestro A R Rahman's mellifluous tunes and the enchanting background score adds to the mood of the peppy romance. In this nice coming-of-age movie, both protagonists are young and spirited but with diametrically opposite views, yet passionate about each other. More than the familiar plot of boy-meets-the-girl, director Gautam Menon tactfully works around the initial hiccups, scepticism and charming trepidation of first love. Even though the separation of the two lovers towards the end of the film looks very contrived, it establishes how separation actually strengthened their bond.
Barring some snail-paced portions (that could have been edited) and a few repetitive scenes, the stylised narrative and colourful songs (shot in exotic locations) is a visual treat.
The story goes like this — an aspiring filmmaker (Naga Chaitanya) instantly falls in love with a pretty girl (Samantha) who turns out to be the daughter of his house owner. After a few meetings, Chaitanya proposes to her but she is reluctant to accept his proposal. She is wary of parental disapproval (they belong to different religions and also she is older than him). But Chaitanya pursues her relentlessly. Finally the ice thaws and the lady reciprocates his love but insists on waiting for her dad's approval.
Chaitanya breathes life and charm into the role of a flamboyant lover and is bound to connect with youngsters. Debutante Samantha is fairly impressive. It seems that Tamil filmmaker Gautam Menon could break his jinx in Telugu with this candy floss romance. Actors Devan, Sanjay Swarup, Krishnudu are just okay.
Cast: Naga Chaitanya, Samantha, Krishnudu, Sanjay Swaroop, Surekha Vani and others
Music: AR Rahman
Lyrics: Anant Sreeram
Dialogues: Anuradha
Story – screenplay – director: Gowtam Vasudev Menon
Producer: Sanjay Swaroop
Release date: 26 February 2010
Raktha Charitra (2010)
Vivek Oberoi, Shatrughan Sinha, Abhimanyu Shekhar Singh, Sushant Singh Director: Ram Gopal Varma Rakta Charitra is a bio-pic of Paritala Ravi, a politician from Andhra Pradesh, played here by Vivek Oberoi, whose career began with murder and ended when he was assassinated in broad daylight by his rivals. This film is part one of this horrifically fascinating story, which illustrates the heart of darkness that constitutes politics in India. The murderous saga of revenge and counter-revenge begins with momentum but then gets bogged down by its repetitive mayhem, an annoying voice-over and exhausting decibel levels. Varma isn’t one for subtlety. The sound-track is blaring and despite the rivers of blood that flow freely, every character feels the need to say rakta as often as he can. The director has little interest in the psychology and evolution of his characters so Pratap goes from college to killing without batting an eye-lid and then, with the same ease, moves from outlaw to minister. Instead what seems to fascinate Varma is extreme behaviour. As Karan Johar revels in beauty, Varma revels in ugliness. So he spends an inordinate amount of time on exploring the ways in which people can hurt each other and his depiction of depravity feels uncomfortably voyeuristic. And of course like earlier Varma films, this one too features a gallery of singularly unattractive faces shot at peculiar angles and the requisite sweaty celebration song. There are some powerful moments and strong performances here — Abhimanyu Singh as an unhinged goon is especially good. Oberoi also shows flashes of prowess and the real discovery is the surprisingly sober and effective Shatrughan Sinha. But how much you relish Rakta Charitra is directly connected to your threshold for gore. If like me, it’s low, I suggest you take Varma’s advice and sit at home. download Read more at: http://movies.ndtv.com/movie_Review.aspx?id=559&cp | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Kalyan Ram Kathi (2010)
Director : Mallikharjun
Music : Manisarma
Cast : Kalyanram, Sanakhan, Saranya Mohan, Brahmanandam
Music : Manisarma
Cast : Kalyanram, Sanakhan, Saranya Mohan, Brahmanandam
Review : When Ramakrishna (Kalyan Ram) was young no one expected him to become a dashing, dynamic football star who the entire nation would cheer for, who would bring glory to his country, and who girls would cause stampedes to marry. And it's a good thing no one expected any of that, since it never happens. What Ramakrishna, however, ends up doing is cause stampedes in theatres for audiences who - after watching some of his action scenes - think they need to visit an asylum or a place of worship to mull over things.
The movie starts off by telling us that Ramakrishna has a very happy family. After a song showcasing their camaraderie (since that is the most appropriate thing for a happy family to showcase in a song), the real film starts. First, a builder (Ahuti Prasad) threatens Ramakrishna's family with goons. Ramakrishna silences him with his muscle power and a rousing speech.
The builder is impressed and offers his daughter's hand in marriage to Ramakrishna. After a few more scenes he offers his son's hand in marriage to Ramakrishna's sister. This seemed like the main theme of the movie, but before we could verify this with the theatre's manager, a new character (Sana Khan) was brought into the picture; a girl who has stalked Ramakrishna for a year, and who now sings and dances with him.
Everything is moving too fast in the flick now. This is when the director comes up with a twist. One day, Ramakrishna's sister goes out shopping and never returns. Usually, it's considered bad manners to go shopping and not return, especially when you're not the one paying the bills. But in the case of Ramakrishna's sister, we find out that she had run away from home to marry her boyfriend (Shaam).
After some days, Ramakrishna bumps into the girl. This time, she's running away from her husband. We thought running is now the main theme of the movie, but we quickly realized there's no one left to help us verify the fact -and also realized that everyone had caught on to the theme long back. In the rest of the movie, Ramakrishna tries to correct his sister's abusive husband and his family (Kota Srinivasa Rao, Ajay, Telangana Sakuntala), and spills a lot of blood in the process.
Kathi is a mindless formula flick that has about 0.002% of fresh content, with the remaining having been regurgitated from the age of the Battle Of Plassey. There is violent language, endless talk of revenge, dense villains and one helpless sister who keeps getting picked on by evil people.
Kalyan Ram is enthusiastic, but if you can digest the fact that a man of his size can hurl heavy-set goons several feet into the air all by himself, the movie deserves you - actually, you deserve the movie. Saranya Mohan is way too child-like to look like a matured actress; in her limited stock of expressions, in the way she runs, and in her general body language. However, this is still a much more substantial role than her earlier ones. Sana Khan is quite good in her limited role.
The songs have some interesting choreography, but if you end up liking the music, there's not much anyone can do about it.
If you're planning to watch Kathi, make sure you don't leave your contact details with the theatre management - they may ask you to fill up the next show, too.
The movie starts off by telling us that Ramakrishna has a very happy family. After a song showcasing their camaraderie (since that is the most appropriate thing for a happy family to showcase in a song), the real film starts. First, a builder (Ahuti Prasad) threatens Ramakrishna's family with goons. Ramakrishna silences him with his muscle power and a rousing speech.
The builder is impressed and offers his daughter's hand in marriage to Ramakrishna. After a few more scenes he offers his son's hand in marriage to Ramakrishna's sister. This seemed like the main theme of the movie, but before we could verify this with the theatre's manager, a new character (Sana Khan) was brought into the picture; a girl who has stalked Ramakrishna for a year, and who now sings and dances with him.
Everything is moving too fast in the flick now. This is when the director comes up with a twist. One day, Ramakrishna's sister goes out shopping and never returns. Usually, it's considered bad manners to go shopping and not return, especially when you're not the one paying the bills. But in the case of Ramakrishna's sister, we find out that she had run away from home to marry her boyfriend (Shaam).
After some days, Ramakrishna bumps into the girl. This time, she's running away from her husband. We thought running is now the main theme of the movie, but we quickly realized there's no one left to help us verify the fact -and also realized that everyone had caught on to the theme long back. In the rest of the movie, Ramakrishna tries to correct his sister's abusive husband and his family (Kota Srinivasa Rao, Ajay, Telangana Sakuntala), and spills a lot of blood in the process.
Kathi is a mindless formula flick that has about 0.002% of fresh content, with the remaining having been regurgitated from the age of the Battle Of Plassey. There is violent language, endless talk of revenge, dense villains and one helpless sister who keeps getting picked on by evil people.
Kalyan Ram is enthusiastic, but if you can digest the fact that a man of his size can hurl heavy-set goons several feet into the air all by himself, the movie deserves you - actually, you deserve the movie. Saranya Mohan is way too child-like to look like a matured actress; in her limited stock of expressions, in the way she runs, and in her general body language. However, this is still a much more substantial role than her earlier ones. Sana Khan is quite good in her limited role.
The songs have some interesting choreography, but if you end up liking the music, there's not much anyone can do about it.
If you're planning to watch Kathi, make sure you don't leave your contact details with the theatre management - they may ask you to fill up the next show, too.
Happy Days (High Quality) Movie
| Cast: Sandesh, Nikhil, Vamsi Krishna, Raahul, Tamanna, Gayatri Rao, Sonia, Monali Chowdary and Kamalinee Mukherjee (in a guest role) Music: Mickey J Meyer Art: Kishore Chowksi Camera: Vijay C Kumar Editing: Marthand K Vankatesh Executive producer: Anish Story, screenplay and directed by: Sekhar Kammula Release date: Sept 28, 2007 (in USA) Oct 2nd (in India) What's it about! It is all about laws of attraction. In an Engineering College, a group of youngsters - Chandu and Madhu, Appu and Rajesh, Tyson and Sonali, Sangeeta and Shankar - attract to each other. The film is told in Chandu's point of view but it mostly deals about love, jealous and campus comedy. That's it. Analysis Sekhar Kammula is one of the few directors in Tollywood who handle movies very sensibly. He makes films that centre around urban middle class. He treads similar path with Happy Days too. This time he focuses on a gang of college youth and their love stories. Hence the subject is very clich�d. Yet, Happy Days scores largely on three points - the fresh casting (you relate to this young talent), music (Mickey J Meyer has given superb songs) and catchy visuals. Sekhar Kammula brings life to the film post the interval by creating a mood. Dialogues - colloquial and casual - are another advantage. In fact, the script completely hinges on the dialogues and characterizations of the young leads. You can say it is his version of Dil Chahta Hai. The format is same except the situations and characters. You can also see influence of many films on several scenes like Pawan Kalyan's Khusi, Premadesam, and recent Manmadha. On the flip side, it is very slow paced and nothing newness in the story. First half is weak. There are too many mistakes and some of the scenes are very artificial. A Proddutur boy speaking Telangana dialect, Lagaan type cricket match, Srikakulam born boy finally giving speech in English, giving conclusion as a message oriented film - are some of the jarring points in other wise neatly made movie. Performances Except Tamanna, all are new faces and the casting has brought freshness. All the actors have done exceedingly good job. Especially the guy who played Rajesh (Nikhil), Tamanna, Rahul who played Tyson role, Gayatri Rao and Sonia excel. They are very likable and are natural in their expressions and performances. The lead hero Sandesh (who played the role of Chandu) has done nothing but mimic hero Siddardh. So, we have Jr Siddardh here! Sekhar's muse Kamlinee Mukharjee too appears in the film as a sexy teacher. She is so glamorous and dubs her own voice. Technically, it is music director Mickey J Meyer who steals the limelight. His tunes and the recording are excellent. Songs are not in regular style and even the picturisation of songs by the director are praise worthy. Vijay Kumar has brought cool look with his bright color scheme and wide angle shots. His work is great. This is his best work so far. Sekhar Kammula scores as writer especially in dialogues. But his script is too weak. Bottom-line Sekhar Kammula has brought another sensible movie with Happy Days. It might not be totally fresh story but it entertains and scores big way in many departments. Watch it for time pass clean entertainment. | ||
Harry Potter and the Deathly Hallows Part 1 2010 DVDRip XviD-PrisM [Full]
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Shopping Mall
Shopping Mall (2010) - [Telugu] - [Dubbed - Angadi Theru ] - [R5] Rip - 1 CD - x264 - AAC - V99 (Size: 673.54 MB)
Baava (2010) - [Telugu]
Banner: Sri Keerthi Combines
Starring: Siddharth, Praneetha, Rajendra Prasad, Ahuthi Prasad, Tanikella Bharani, Santosh Samrat, Pavitra, Raghubabu, Brahmanandam, Ali etc.
Dialogue: Veera Pothana
Music: Chakri
Cinematography: Aravind Krishna
Editing: K.V. Krishna Reddy
Producer: Padma Kumar Chowdary M.L.
Story-Screenplay-Direction: Rambabu
Lover Boy Siddharth, who is known for enacting urban based roles tried to head in a different path with Bava review. He played the role of a rural youth in this flick which is completely opposite to what Siddharth is known for. Sid is yet to mark a decent hit at the box office since Bommarillu. Therefore, he has pinned so many hopes on ‘Baava movie review ’ to put him back on success track. This film has sufficient factors to pull the attention of mass audience and Sid thought Bava would pave a way for him to penetrate into the mass section of Telugu cinema.
Catchy title, good star cast, colorful posters and a couple of nice songs… with all these in his armory Bava looked well prepared to win the battle at Box office.
Did all these weapons proved enough for Bava to be a winner? Does Baava have enough strength to survive at the box office? Read complete review…
Story:
Veera Babu (Siddharth) is a naughty youth who turns out to be a big headache to his village. Unable to bear the torture Veerababu has been creating for them, the villagers tries to send him away from the village. However, Veerababu’s father Seetha Ramudu (Rajendra Prasad) disrupts their plans and Veerababu happily stays back in his village. On one fine morning Veerababu sees Varalakshmi (Praneetha) and fall in love with her in the first sight. Then a saga of scenes in which he tries to impress her follows. Finally, Varalakshmi reciprocates to Veerababu’s love. But by that time her elders fix her marriage with another person (Santosh Samrat). When Varalakshmi tells Veerababu about her marriage plans, he marries her then and there in a temple. Seeta Ramudu comes to know about this marriage and tells Veerababu that Varalakshmi is his cousin. He reveals that Veerababu’s mother is none other than Varalakshmi father’s (Ahuti Prasad) sister. He also says that marrying someone without their family’s will is a mistake. Seetaramudu asks Veerababu to not to repeat that mistake and only hold Varalakshmi’s hand with her parents will. What follows next forms rest of the story.
Analysis:
Baava is a mishmash of same old formulaic films. This film starts off and heads in a predictable path such that it turns a nightmare to the audience at one point. It is a big test to anyone to sit through the film. The director’s amateurish work made the film look silly in serious scenes. It is a shame for the director when audiences laugh while watching sentiment scenes. The scene where Siddharth explains to Ahuti Prasad about his loveable family is laughable. Sadly, Siddharth made that scene look even worse with his acting. Pre climax scenes in which Siddharth gets trained for a cycle race (ala Tammudu) looks weird. A cycle race can’t be more uninteresting and stupid than the one in Bava’s climax.
Bava is a flick which takes back our Telugu cinema once again to the eighties. It makes the audience feel sorry for being in the theatres when many other lucky people are happily spending their time outside. Love Aaj Kal technique is used in this film for the flashback scenes. Siddharth is shown in the role of Rajendra Prasad when the former is narrating his love story. However, this will not affect Pawan Kalyans’ LAK remake as Bava doesn’t make any impact by copying that technique.
Performances:
Siddharth tried his best to suit the character in every possible way. He changed his looks and took care on his costumes. He tried to get the Godavari accent right, but in vain. Despite his efforts Siddharth failed to excel in this role. He didn’t look like a village bred youth in any means. Despite all the extra care taken Siddharth still look liked a city boy dressed up like a villager. He is totally miscast in this role. He did well in romantic scenes but surprisingly failed to excel in sentiment scenes too, which have been his forte in the past. He imitated Kamalhassan’s body language in the flashback episode unnecessarily. In one word Siddharth disappointed as Bava.
Praneetha perfectly suited the role of a village belle. Her expressive eyes came in handy in emotional scenes. Even though Rajendra Prasad’s role is limited, he did his part. Santosh Samrat is Okay as a baddie. Tanikella Bharani and Ahuti Prasad are standard. Brahmanandam’s spoof on Varudu failed to impress. Rest of the cast did according to the requirements of the director.
Technicalities:
Chakri’s music is good in a couple of songs. Pannedella Prayam and Mila Mila songs sound good. Background score is not up to the mark. Veeraa Pothana’s dialog is substandard. Not a single praiseworthy line is written by him. Arvind Krishna’s photography is very good. His camera captured the village greenery so well that it is a treat to watch all those lush green fields and beautiful Godavari River on silver screen. The film heavily lagged in its second half and the editor should’ve trimmed it off considerably. Production values are good.
New director Rambabu’s work raises so many doubts on his capabilities as a director. Clichéd story and torturous treatment turned this Baava unbearable, particularly in its last hour. Although he started off the proceedings in a decent manner with good humor, he lost the grip over the screenplay at a brisk pace. Only notable point in this film is Siddharth doing the role of a village youth. Barring that this film lacked novelty in each and every scene.
Plus Points:
Comedy in first half.
Pannendella Prayam and Mila Mila songs.
Minus points:
Screenplay in Second half
Unbearable climax
Final Word:
Bava is a run of the mill flick which is not worthy enough to be watched even on a DVD. It is not meant for the audience who like to view something new or at least for the ones who are looking to be entertained. It will be a total washout in urban centers and the film’s fate totally depends on how it is received by the mass audience. Sadly, Siddharth is not considered as their hero by the masses.
Beware:
If you accidentally land in Baava theatres, do yourself a favor by walking out of the theatres during the interval itself. Or else you will have to experience the nightmarish 80 minutes of your life.
Starring: Siddharth, Praneetha, Rajendra Prasad, Ahuthi Prasad, Tanikella Bharani, Santosh Samrat, Pavitra, Raghubabu, Brahmanandam, Ali etc.
Dialogue: Veera Pothana
Music: Chakri
Cinematography: Aravind Krishna
Editing: K.V. Krishna Reddy
Producer: Padma Kumar Chowdary M.L.
Story-Screenplay-Direction: Rambabu
Lover Boy Siddharth, who is known for enacting urban based roles tried to head in a different path with Bava review. He played the role of a rural youth in this flick which is completely opposite to what Siddharth is known for. Sid is yet to mark a decent hit at the box office since Bommarillu. Therefore, he has pinned so many hopes on ‘Baava movie review ’ to put him back on success track. This film has sufficient factors to pull the attention of mass audience and Sid thought Bava would pave a way for him to penetrate into the mass section of Telugu cinema.
Catchy title, good star cast, colorful posters and a couple of nice songs… with all these in his armory Bava looked well prepared to win the battle at Box office.
Did all these weapons proved enough for Bava to be a winner? Does Baava have enough strength to survive at the box office? Read complete review…
Story:
Veera Babu (Siddharth) is a naughty youth who turns out to be a big headache to his village. Unable to bear the torture Veerababu has been creating for them, the villagers tries to send him away from the village. However, Veerababu’s father Seetha Ramudu (Rajendra Prasad) disrupts their plans and Veerababu happily stays back in his village. On one fine morning Veerababu sees Varalakshmi (Praneetha) and fall in love with her in the first sight. Then a saga of scenes in which he tries to impress her follows. Finally, Varalakshmi reciprocates to Veerababu’s love. But by that time her elders fix her marriage with another person (Santosh Samrat). When Varalakshmi tells Veerababu about her marriage plans, he marries her then and there in a temple. Seeta Ramudu comes to know about this marriage and tells Veerababu that Varalakshmi is his cousin. He reveals that Veerababu’s mother is none other than Varalakshmi father’s (Ahuti Prasad) sister. He also says that marrying someone without their family’s will is a mistake. Seetaramudu asks Veerababu to not to repeat that mistake and only hold Varalakshmi’s hand with her parents will. What follows next forms rest of the story.
Analysis:
Baava is a mishmash of same old formulaic films. This film starts off and heads in a predictable path such that it turns a nightmare to the audience at one point. It is a big test to anyone to sit through the film. The director’s amateurish work made the film look silly in serious scenes. It is a shame for the director when audiences laugh while watching sentiment scenes. The scene where Siddharth explains to Ahuti Prasad about his loveable family is laughable. Sadly, Siddharth made that scene look even worse with his acting. Pre climax scenes in which Siddharth gets trained for a cycle race (ala Tammudu) looks weird. A cycle race can’t be more uninteresting and stupid than the one in Bava’s climax.
Bava is a flick which takes back our Telugu cinema once again to the eighties. It makes the audience feel sorry for being in the theatres when many other lucky people are happily spending their time outside. Love Aaj Kal technique is used in this film for the flashback scenes. Siddharth is shown in the role of Rajendra Prasad when the former is narrating his love story. However, this will not affect Pawan Kalyans’ LAK remake as Bava doesn’t make any impact by copying that technique.
Performances:
Siddharth tried his best to suit the character in every possible way. He changed his looks and took care on his costumes. He tried to get the Godavari accent right, but in vain. Despite his efforts Siddharth failed to excel in this role. He didn’t look like a village bred youth in any means. Despite all the extra care taken Siddharth still look liked a city boy dressed up like a villager. He is totally miscast in this role. He did well in romantic scenes but surprisingly failed to excel in sentiment scenes too, which have been his forte in the past. He imitated Kamalhassan’s body language in the flashback episode unnecessarily. In one word Siddharth disappointed as Bava.
Praneetha perfectly suited the role of a village belle. Her expressive eyes came in handy in emotional scenes. Even though Rajendra Prasad’s role is limited, he did his part. Santosh Samrat is Okay as a baddie. Tanikella Bharani and Ahuti Prasad are standard. Brahmanandam’s spoof on Varudu failed to impress. Rest of the cast did according to the requirements of the director.
Technicalities:
Chakri’s music is good in a couple of songs. Pannedella Prayam and Mila Mila songs sound good. Background score is not up to the mark. Veeraa Pothana’s dialog is substandard. Not a single praiseworthy line is written by him. Arvind Krishna’s photography is very good. His camera captured the village greenery so well that it is a treat to watch all those lush green fields and beautiful Godavari River on silver screen. The film heavily lagged in its second half and the editor should’ve trimmed it off considerably. Production values are good.
New director Rambabu’s work raises so many doubts on his capabilities as a director. Clichéd story and torturous treatment turned this Baava unbearable, particularly in its last hour. Although he started off the proceedings in a decent manner with good humor, he lost the grip over the screenplay at a brisk pace. Only notable point in this film is Siddharth doing the role of a village youth. Barring that this film lacked novelty in each and every scene.
Plus Points:
Comedy in first half.
Pannendella Prayam and Mila Mila songs.
Minus points:
Screenplay in Second half
Unbearable climax
Final Word:
Bava is a run of the mill flick which is not worthy enough to be watched even on a DVD. It is not meant for the audience who like to view something new or at least for the ones who are looking to be entertained. It will be a total washout in urban centers and the film’s fate totally depends on how it is received by the mass audience. Sadly, Siddharth is not considered as their hero by the masses.
Beware:
If you accidentally land in Baava theatres, do yourself a favor by walking out of the theatres during the interval itself. Or else you will have to experience the nightmarish 80 minutes of your life.
Why Did I Get Married Too? (2010)
Why Did I Get Married Too? (2010) Hollywood Movie Download
Four couples reunite for their annual vacation in order to socialize and to spend time analyzing their marriages. Their intimate week in the Bahamas is disrupted by the arrival of an ex-husband determined to win back his recently remarried wife.
Director : Tyler Perry
Release Date : 2 April 2010
Genre : Comedy
Cast : Tyler Perry, Janet Jackson, Jill Scott, Sharon Leal, Malik Yoba, Richard T. Jones, Tasha Smith, Lamman Rucker, Michael Jai White, Louis Gossett Jr., Cicely Tyson, Nia Iman Muhammad, Tyson Gilmore, Valarie Pettiford, Marc Farley
Release Date : 2 April 2010
Genre : Comedy
Cast : Tyler Perry, Janet Jackson, Jill Scott, Sharon Leal, Malik Yoba, Richard T. Jones, Tasha Smith, Lamman Rucker, Michael Jai White, Louis Gossett Jr., Cicely Tyson, Nia Iman Muhammad, Tyson Gilmore, Valarie Pettiford, Marc Farley
Why Did I Get Married Too 2010 DVDRip
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Salt (2010)
Salt (2010) Hollywood Movie Information
As a CIA officer, Evelyn Salt swore an oath to duty, honor and country. Her loyalty will be tested when a defector accuses her of being a Russian spy. Salt goes on the run, using all her skills and years of experience as a covert operative to elude capture. Salt's efforts to prove her innocence only serve to cast doubt on her motives, as the hunt to uncover the truth behind her identity continues and the question remains: "Who is Salt?"
Salt (2010) 960x400p R5+SUBS-350MB
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K Viswanadh Subhasankalpam 1995
Release Date: 1995
Runtime: N/A
Genre: Family, Musical
Starring: Kamal Hassan, K Vishwanath, Aamani, Priya Raman ... See all
Director: K Vishwanath
Subha Sankalpam is a telugu film in 1995, directed by K. Vishwanath. It was produced by noted singer, S. P. Balasubrahmanyam (Balu). This movie brings back the golden combination of Kamala Haasan and Vishwanath after 9 long years and Kamal has excelled yet again.
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Code:CD-1
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Runtime: N/A
Genre: Family, Musical
Starring: Kamal Hassan, K Vishwanath, Aamani, Priya Raman ... See all
Director: K Vishwanath
Subha Sankalpam is a telugu film in 1995, directed by K. Vishwanath. It was produced by noted singer, S. P. Balasubrahmanyam (Balu). This movie brings back the golden combination of Kamala Haasan and Vishwanath after 9 long years and Kamal has excelled yet again.
Rapidshare Links:~
Code:CD-1
http://rapidshare.com/files/123958998/SubhaSankalpam1byfrank.avi.001
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CD-2
http://rapidshare.com/files/123958995/SubhaSankalpam2byfrank.avi.001
CD-2
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Commedy movie Vinodam
Cast: Srikkanth, Ravali, Brahmanandam, Kota, Prakash Raj
Music Director: S.v. Krishna Reddy
Director: S.v. Krishna Reddy
Year: 1996
Genre: Telugu
Music Director: S.v. Krishna Reddy
Director: S.v. Krishna Reddy
Year: 1996
Genre: Telugu
Watch Vinodam Online Telugu Comedy Movie:
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Pathala Bhairavi (1951)
Telugu Old Classic DVD Movie Online and Download
Story Line:
The movie is about Thota Ramudu (N T R) expresses his desire to his friend Anji (BalaKrishna) he want to marry Indumathi (Malathi). This story consists of adventures by Thota ramudu. Nepali manthrikudu’(SV Ranga Rao) searches for a young man who is daring . Meanwhile Indumathi’s father puts a condition that he will give his daughter to the man who is as wealthy. Nepala Manthrikudu preys ‘Thota Ramudu’ by showing him his powers. How Thota Ramudu wins Indumathi and also save himself from Nepala Mantridkudu is the rest of the movie.
Simha 2010
Release Date: 30 Apr 2010
Genre: Action
Language: Telugu
Certification: A
Director: Boyapati Srinu
Producer: Paruchuri Sivaram Prasad
Music Director: Chakri
Director Boyapati Sreenu, who had given two action films with a sentiment touch like Tulasi and Bhadra has once again tried his hand on action-packed drama with Balakrishna as hero. No doubt, the Simha is better than the recent duds of Balayya, and at the same time the film has nothing new in the subject but a complete beaten track. The director has made use of all the cinematic liberties in running the story with the hero and in the flashback his father, hacking as many as some 400 to 500 people either with a punch / sword or a hunting sickle.
Srimannarayana (Balakrishna) is a professor in a college. He doesn’t allow injustice before his eyes. Janaki (Sneha Ullal) joins the college. Once some goons try to abduct her but Srimannarayana saves her. She falls in love with him in no time. Incidentally, Janaki is none other than his sister-in-law and on one occasion, Srimannarayana comes to know from his granny (KR Vijaya) that he belongs to the Bobbili clan.
His father Dr Narasimha (Balakrishna) is a saviour of poor. He could perform surgery to save life and he could also hack people if they do wrong. Unfortunately, two sons of a local mafia leader Veerakesavudu (Aditya Menon) die in the hands of Dr Narasimha for their excesses and in revenge Veerakesavudu kills both Dr Narasimha and his wife Savitri (Nayanatara). Before his death, Veerakesavudu tastes the punch of Dr Narasimha and goes into comma. Will he gain his consciousness ? Will Srimannarayana goes to village? Will he marry Janaki? What happens next will form the interesting part of the movie.
PERFORMANCE:
Balakrishna, after a long time, has given energetic performance . He played dual roles as father and son. He excelled in both the roles. However, ageing is clearly visible during close-up shots. However, director ensured to elevate both the characters with equal ease. Sneha Ullal is okay for looks but she still needs to improve her acting skills. Especially, she should be more cautious on her lip sync. Namitha played another glamorous role in the film. But she appeared quite bulky despite showing her oomph. She is yet to realise the fact that she has to shed the fat. KR Vijaya was the perfect choice for the grandmother’s role and she lived in the character and did complete justice to her role. Aditya Menon and Malayalam artiste Saikumar showed good screen presence. Rahman is okay as Balakrishna’s brother-in-law. Nayanatara, though had a very small role in the film, is okay in her character. Comedy by Krishna Bhagawan, Ali, Venumadhav is just average and literally they failed to tickle the funny bones.
TECHNICAL:
Chakri has composed melodious tunes to all the songs, though they remind us of 80s and 90s Songs. Choreography of all the songs is okay and Balakrishna tried to prove that he could compete with Junior NTR in dances by trying some innovate steps. Action by Ram-Lakshman and Stun Siva is fine. Especially the chase scenes, the scenes that relate to hero bashing the villains and the gory killings were perfectly shot. Background score by Chinna is good and elevated the mood in many scenes. Camera by Arthur Wilson is good while art by AS Prakash is laudable. Editing by Kotagiri Venkateswara Rao should have a little more sharp. Though the first half is okay, it appeared a little stretched. However, the action scenes in the second half made the audiences ignore the stretching of scenes to some extent. Director Boyapati Sreenu, who penned the screenplay and dialogues for the film besides providing story, had perfect grip on the entire subject, though the narration appeared old fashioned.
REMARKS:
It appears that two scenes were lifted from the blockbuster Magadheera, where the hero kills 100 soldiers single-handedly. Even in this film, the hero kills many goons as the heroine wishes that she wants to see everyone dead before her death in the flashback scene and it repeats in the climax scene as well. The film also have some punching dialogues. The film is a nice watch for those who love Balakrishna and his fans.
Cast: Balakrishna, Nayanatara, Namitha, Sneha Ullal, Saikumar (Malayalam artiste), Hemant, Rahman, Sravan, GV, Kota Srinivasa Rao, Dharmavarapu Subrahmanyam, Brahmanandam, Ali, Krishna Bhagawan, Venumadhav, LB Sriram, Aditya Menon, Vinod, Ananda Bharati, KR Vijaya, Sairabanu, Jhansi, Sana, Kinnera and others.
Credits: Music – Chakri, Background score – Chinna, Camera – Arthur Wilson, Editing – Kotagiri Venkateswara Rao, Art – A S Prakash, Choreography – Prem Rakshit, Action – Ram Laxman, Stun Siva, Executive Producer – B Mahendrababu, Presents - Paruchuri Sivarama Prasad, Producer – Paruchuri Kireeti, Story, dialogues, screenplay and direction – Boyapati Sreenu.
Banner: United Movies
Srimannarayana (Balakrishna) is a professor in a college. He doesn’t allow injustice before his eyes. Janaki (Sneha Ullal) joins the college. Once some goons try to abduct her but Srimannarayana saves her. She falls in love with him in no time. Incidentally, Janaki is none other than his sister-in-law and on one occasion, Srimannarayana comes to know from his granny (KR Vijaya) that he belongs to the Bobbili clan.
His father Dr Narasimha (Balakrishna) is a saviour of poor. He could perform surgery to save life and he could also hack people if they do wrong. Unfortunately, two sons of a local mafia leader Veerakesavudu (Aditya Menon) die in the hands of Dr Narasimha for their excesses and in revenge Veerakesavudu kills both Dr Narasimha and his wife Savitri (Nayanatara). Before his death, Veerakesavudu tastes the punch of Dr Narasimha and goes into comma. Will he gain his consciousness ? Will Srimannarayana goes to village? Will he marry Janaki? What happens next will form the interesting part of the movie.
PERFORMANCE:
Balakrishna, after a long time, has given energetic performance . He played dual roles as father and son. He excelled in both the roles. However, ageing is clearly visible during close-up shots. However, director ensured to elevate both the characters with equal ease. Sneha Ullal is okay for looks but she still needs to improve her acting skills. Especially, she should be more cautious on her lip sync. Namitha played another glamorous role in the film. But she appeared quite bulky despite showing her oomph. She is yet to realise the fact that she has to shed the fat. KR Vijaya was the perfect choice for the grandmother’s role and she lived in the character and did complete justice to her role. Aditya Menon and Malayalam artiste Saikumar showed good screen presence. Rahman is okay as Balakrishna’s brother-in-law. Nayanatara, though had a very small role in the film, is okay in her character. Comedy by Krishna Bhagawan, Ali, Venumadhav is just average and literally they failed to tickle the funny bones.
TECHNICAL:
Chakri has composed melodious tunes to all the songs, though they remind us of 80s and 90s Songs. Choreography of all the songs is okay and Balakrishna tried to prove that he could compete with Junior NTR in dances by trying some innovate steps. Action by Ram-Lakshman and Stun Siva is fine. Especially the chase scenes, the scenes that relate to hero bashing the villains and the gory killings were perfectly shot. Background score by Chinna is good and elevated the mood in many scenes. Camera by Arthur Wilson is good while art by AS Prakash is laudable. Editing by Kotagiri Venkateswara Rao should have a little more sharp. Though the first half is okay, it appeared a little stretched. However, the action scenes in the second half made the audiences ignore the stretching of scenes to some extent. Director Boyapati Sreenu, who penned the screenplay and dialogues for the film besides providing story, had perfect grip on the entire subject, though the narration appeared old fashioned.
REMARKS:
It appears that two scenes were lifted from the blockbuster Magadheera, where the hero kills 100 soldiers single-handedly. Even in this film, the hero kills many goons as the heroine wishes that she wants to see everyone dead before her death in the flashback scene and it repeats in the climax scene as well. The film also have some punching dialogues. The film is a nice watch for those who love Balakrishna and his fans.
Cast: Balakrishna, Nayanatara, Namitha, Sneha Ullal, Saikumar (Malayalam artiste), Hemant, Rahman, Sravan, GV, Kota Srinivasa Rao, Dharmavarapu Subrahmanyam, Brahmanandam, Ali, Krishna Bhagawan, Venumadhav, LB Sriram, Aditya Menon, Vinod, Ananda Bharati, KR Vijaya, Sairabanu, Jhansi, Sana, Kinnera and others.
Credits: Music – Chakri, Background score – Chinna, Camera – Arthur Wilson, Editing – Kotagiri Venkateswara Rao, Art – A S Prakash, Choreography – Prem Rakshit, Action – Ram Laxman, Stun Siva, Executive Producer – B Mahendrababu, Presents - Paruchuri Sivarama Prasad, Producer – Paruchuri Kireeti, Story, dialogues, screenplay and direction – Boyapati Sreenu.
Banner: United Movies
Panchakshari 2010
Release date: 11 June 2010
Cast: Ali, Annapoorna, Banerji, Brahmanandam, Chandramohan, Jeeva, M.S. Narayana, Nasser, Rajitha, Sudha and others
Genre: Fantasy
Cast: Ali, Annapoorna, Banerji, Brahmanandam, Chandramohan, Jeeva, M.S. Narayana, Nasser, Rajitha, Sudha and others
Genre: Fantasy
Director: V.Samudra
Producer: Chandra
Music Director: Chinna
Lyricst: Suddala Ashok Teja, Ramajogaya Sastry, Chandra Bose
Panchakshari review :
After the success of Arundhati, which was proved a blockbuster, Anushka was flooded with offers to same kind of roles. However, she remained choosy.
Her personal make-up man Chandru proposed to turn a producer and she promoted him and used her good offices and recommended him to Nagarjuna, who stood behind him as presenter of the film and Panchakshari was made under the direction of Samudra.
Anushka has given an impressive performance in both the roles, as a girl from urban backdrop and a traditional village girl. Especially, her big eyes had become an asset for her and she was very impressive in the Goddess’ attire. She showed good ease in both the roles. Samrat is okay, though made a debut appearance.
Pradeep Rawat is at his usual self and did justice to his role. Subbaraya Sarma has got a meaty character and played a full-length role in this film. Chandramohan, Nazar, Raviprakash and others have done justice to their roles. Telangana Sakutala is okay in the role of an Anushka's aunt. The one who played the role of Aghora failed to impress either with his dialogue modulation or his performance.
Her personal make-up man Chandru proposed to turn a producer and she promoted him and used her good offices and recommended him to Nagarjuna, who stood behind him as presenter of the film and Panchakshari was made under the direction of Samudra.
Anushka has given an impressive performance in both the roles, as a girl from urban backdrop and a traditional village girl. Especially, her big eyes had become an asset for her and she was very impressive in the Goddess’ attire. She showed good ease in both the roles. Samrat is okay, though made a debut appearance.
Pradeep Rawat is at his usual self and did justice to his role. Subbaraya Sarma has got a meaty character and played a full-length role in this film. Chandramohan, Nazar, Raviprakash and others have done justice to their roles. Telangana Sakutala is okay in the role of an Anushka's aunt. The one who played the role of Aghora failed to impress either with his dialogue modulation or his performance.
Vedam (2010) Telugu Movie
Cast: Allu Arjun, Manoj Manchu (guest), Anushka, Nagayya, Manoj Bajpai, Deeksha Seth, Lekha Washington, Siya Gowtam and others...
Genre: Romance/Action
Music: MM Keeravani
Producer: Prasad Devineni & Shobu Yarlagadda
Story - Screenplay - Direction: Radha Krishna (Krish)
All eyes on Krish Jagar it was this Friday. A first film can be a fluke but not a second one, more so if it is not a commercial entertainer and when the audience are still attempting to enjoy alternative stories. With a bag full of awards and loads of appreciation, the director did not give into temptation, stuck to his story, and made a film that preaches Vedam is humanity and humanity is a simple treatment of a man as human. He chose five characters whose lives are beautifully nuanced, structured at many levels and meet at a point.
The first half of the film depicts the characters in their respective problems. Rahim, a Muslim is distressed, he is drawn into an argument, a fight and his wife suffers a miscarriage in a rally held by the Hindus. The man is upset with his past, unable to come to terms with reality and wants to leave the country.The police still suspect him to be a terrorist and trouble him unnecessarily.
There is Saroja who wants to take a flight to freedom, unhappy with the exploitation at the hands of a sex worker, the lady with her colleague escapes from the brothel house. Vivek Chakravarthy, a rock star who wants to make it big in the music world, have a band of his own leads his troupe for a show. Ramulu, an old man has a lofty dream, wants to educate his grandson and is dying to come out of debts. He sets out on a journey with his daughter-in-law to get some money home.
Finally Raju, an educated youth finds himself trapped in poverty, woos a rich girl, lies about his status as a cable operator, goes on a mission to find 40 thousand rupees to party with his girl friend.
Now all of them in a quest for life begin their journey and are beset with problems at the same time. Rahim is questioned bythe police while he goes for his Visa, Saroja is trapped by her previous employers, Vivek is entangled in a road fight, Raju gives into the temptation of theft and Ramulu's money in the city is stolen.
In the next level it is opportunity that comes in form of help from unexpected quarters. As human beings do we grab it and change for the good or do we fall prey to sin and sadism? Finally the story wraps up with redemption, realization and destiny throwing up so many good things - it makes some lives worth living and some worth dying for.
The film initially begs for freshness but as it hits the second hour it touches you, draws you into their purgatory, their ups and downs. A prostitute, a Muslim trying to prove he is not a terrorist are boring characters, how differently you project them on screen depends on their performances and the dialogues given to them. The film is backed by solid performances, no one overplays their role. The USP again is the dialogue. Allu Arjun dominates the film with his flawless work.
In the second part of the film, his expressions are splendid, especially when he tries to steal money at the hospital, while going to pay for the tickets and his scenes with a small child whose smile he chose to overlook in a hurry to fulfill his desire. Seiya as Manoj Bajpai's wife does a good job, Posani Krishna Murali who's been earning the wrath of critics scores some decent points, Bajpai is perfect as a vulnerable man, and Anushka is simply natural and yes pretty too.
Manoj has a reason to be upset, the only scene which strikes chord with the audiences is when he's lying in the coffin and his mother takes pride in his martyrdom. There couldn't have been a better person than Nagaiyya to deliver the role of a grandfather fighting with abject poverty.
Even small, inconspicuous characters like Prithviraj, Raghu Babu leave their mark. The last scene has the terrorist with a rifle resembling Kasab. Brahmanandam has a single scene but he brings in the laughs. Towards the end some lay down their lives, some get a new life, and some continue to sin. The film touches you in the finale, and could make you wonder what if you were caught in a theatre that goes upin flames , that has no fire extinguisher, or a hospital surrounded by terrorists, how would you react?
All the characters who are led by goals become selfless, the metamorphosis is complete with striking dialogues and aided with visuals. The movie appears crammed first but later the narrative becomes emblematic of the director's aim. Everyone learns something or the other from this story, from the characters, emotions, about life being terrorized by greed, lust, ambition, power play, and that good begets good, and life is all about the choices you make.
The first half of the film depicts the characters in their respective problems. Rahim, a Muslim is distressed, he is drawn into an argument, a fight and his wife suffers a miscarriage in a rally held by the Hindus. The man is upset with his past, unable to come to terms with reality and wants to leave the country.
There is Saroja who wants to take a flight to freedom, unhappy with the exploitation at the hands of a sex worker, the lady with her colleague escapes from the brothel house. Vivek Chakravarthy, a rock star who wants to make it big in the music world, have a band of his own leads his troupe for a show. Ramulu, an old man has a lofty dream, wants to educate his grandson and is dying to come out of debts. He sets out on a journey with his daughter-in-law to get some money home.
Finally Raju, an educated youth finds himself trapped in poverty, woos a rich girl, lies about his status as a cable operator, goes on a mission to find 40 thousand rupees to party with his girl friend.
Now all of them in a quest for life begin their journey and are beset with problems at the same time. Rahim is questioned by
In the next level it is opportunity that comes in form of help from unexpected quarters. As human beings do we grab it and change for the good or do we fall prey to sin and sadism? Finally the story wraps up with redemption, realization and destiny throwing up so many good things - it makes some lives worth living and some worth dying for.
The film initially begs for freshness but as it hits the second hour it touches you, draws you into their purgatory, their ups and downs. A prostitute, a Muslim trying to prove he is not a terrorist are boring characters, how differently you project them on screen depends on their performances and the dialogues given to them. The film is backed by solid performances, no one overplays their role. The USP again is the dialogue. Allu Arjun dominates the film with his flawless work.
In the second part of the film, his expressions are splendid, especially when he tries to steal money at the hospital, while going to pay for the tickets and his scenes with a small child whose smile he chose to overlook in a hurry to fulfill his desire. Seiya as Manoj Bajpai's wife does a good job, Posani Krishna Murali who's been earning the wrath of critics scores some decent points, Bajpai is perfect as a vulnerable man, and Anushka is simply natural and yes pretty too.
Manoj has a reason to be upset, the only scene which strikes chord with the audiences is when he's lying in the coffin and his mother takes pride in his martyrdom. There couldn't have been a better person than Nagaiyya to deliver the role of a grandfather fighting with abject poverty.
Even small, inconspicuous characters like Prithviraj, Raghu Babu leave their mark. The last scene has the terrorist with a rifle resembling Kasab. Brahmanandam has a single scene but he brings in the laughs. Towards the end some lay down their lives, some get a new life, and some continue to sin. The film touches you in the finale, and could make you wonder what if you were caught in a theatre that goes up
All the characters who are led by goals become selfless, the metamorphosis is complete with striking dialogues and aided with visuals. The movie appears crammed first but later the narrative becomes emblematic of the director's aim. Everyone learns something or the other from this story, from the characters, emotions, about life being terrorized by greed, lust, ambition, power play, and that good begets good, and life is all about the choices you make.
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